Utterly and fantastically boring and totally without purpose.
The Man (2005)
Tomatometer
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Reviews Counted:98
Fresh:11
Rotten:87
Average Rating:3.3/10
Consensus: Despite the steely presence of Samuel L. Jackson and the comic timing of Eugene Levy, The Man's plot is pointless and its jokes rehashed, as it ends up playing out like the Odd Couple with gas.
Rated: PG-13 [See Full Rating] for language, rude dialogue and some violence
Runtime: 84 mins
Genre: Comedies
Theatrical Release:Sep 9, 2005 Wide
Box Office: $8,278,660
Synopsis: Mismatching the two principal characters in a movie has become a comedy staple in Hollywood, and the tradition continues in director Les Mayfield's THE MAN. Andy Fidler (Eugene Levy) has a cheery... Mismatching the two principal characters in a movie has become a comedy staple in Hollywood, and the tradition continues in director Les Mayfield's THE MAN. Andy Fidler (Eugene Levy) has a cheery outlook on life. Even a less than exciting job selling dental products can't wipe the smile from his face. But when he winds up in Detroit for a dental convention and is wrongly identified as an arms dealer, his smile is in danger of disappearing for good. Tough-as-nails cop Derrick Vann (Samuel L. Jackson) has set up an operation to catch the gang who run with the villain Fidler has been mistaken for. Eager to find him after the group of gun runners put a permanent end to his partner's career, Vann concocts a screwball scheme in which Fidler will impersonate the crook he resembles, while also trying to shake the Internal Affairs agents who are closely trailing him. Sam Jackson steals THE MAN from under Levy's nose, with some impressive, snappy dialogue reminiscent of his role as Jules Winnfield in PULP FICTION. Driven to the brink of insanity by the inane banter spewing from Levy's mouth, and a flatulence problem at the other end, Jackson fits into the role like a true pro. The film benefits from an elementary plot that simply allows the laughs to come thick and fast, and evolves only to allow Jackson to display further exasperation at his oblivious partner's behavior. A cut above the gross-out comedies it will undoubtedly be compared to, THE MAN is a deliciously silly film that benefits from some strong performances. [More]
Starring: Samuel L. Jackson, Eugene Levy, Miguel Ferrer, Luke Goss
Starring: Samuel L. Jackson, Eugene Levy, Miguel Ferrer, Luke Goss, Anthony Mackie, Susie Essman, Horatio Sanz, Rachael Crawford
Director: Les Mayfield
Director: Les Mayfield
Screenwriter: Jim Piddock, Steve Carpenter, Margaret Oberman
Producer: Rob Fried
Composer: John Murphy
Studio: New Line Cinema
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Reviews for The Man
While both actors are too professional to simply phone their performances in, they must have realized early on that they were fighting a losing battle against the material.
How far must these vets have fallen to endure two farting scenes, a peeing-in-the-pool scene, and repeated use of the phrase, "you're my *****."
The idea of casting the super-cool and street-smart Samuel L. Jackson with the clueless and impossibly nerdy Eugene Levy in an action buddy comedy is such an offbeat and inspired notion that it's impossible not to think of it without smiling.
Cop buddy comedies demand a framework for their antics, and that's where The Man stumbles.
Using the comic genius Levy simply for his bushy eyebrows is like using a Ming vase as a doorstop.
The Man [is] a vehicle of canned comedic setups that yield a slight buzz of low-level, odd-coupling amusement and a few welcome spasms of belly laughs.
The stunts are shamefully executed and lack any depth or significance. The camera angles amount to some of the most uninspiring cinematography in recent years.
A boring, all-you-can-regurgitate buffet of buddy-movie/cop-movie banality, it would collapse under the weight of its own generic stupidity (without) Jackson and Levy.
Do you value your time and money enough to spend 80 minutes waiting for two flatulence jokes?
I bow to the Buddha nature of Jackson and Levy....the average moviegoer in me can see the entertainment value in The Man. Just not $9 bucks worth.
As I was watching the movie, something strange happened... I started laughing.
When the bathroom humor is the best part of your film, it's time to go back to the drawing board.
Did the odd-couple buddy-cop genre officially die somewhere around the third Lethal Weapon installment?
Whenever I see cruddy movies such as "The Man," I figured that the actors either owed somebody a favor or signed a contract.
In this instance opposites don't attract, they repel - audiences that is
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