...a buddy comedy with a fatal misunderstanding of the concept of a comedic duo.
The Man (2005)
Tomatometer
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Reviews Counted:98
Fresh:11
Rotten:87
Average Rating:3.3/10
Consensus: Despite the steely presence of Samuel L. Jackson and the comic timing of Eugene Levy, The Man's plot is pointless and its jokes rehashed, as it ends up playing out like the Odd Couple with gas.
Rated: PG-13 [See Full Rating] for language, rude dialogue and some violence
Runtime: 84 mins
Genre: Comedies
Theatrical Release:Sep 9, 2005 Wide
Box Office: $8,278,660
Synopsis: Mismatching the two principal characters in a movie has become a comedy staple in Hollywood, and the tradition continues in director Les Mayfield's THE MAN. Andy Fidler (Eugene Levy) has a cheery... Mismatching the two principal characters in a movie has become a comedy staple in Hollywood, and the tradition continues in director Les Mayfield's THE MAN. Andy Fidler (Eugene Levy) has a cheery outlook on life. Even a less than exciting job selling dental products can't wipe the smile from his face. But when he winds up in Detroit for a dental convention and is wrongly identified as an arms dealer, his smile is in danger of disappearing for good. Tough-as-nails cop Derrick Vann (Samuel L. Jackson) has set up an operation to catch the gang who run with the villain Fidler has been mistaken for. Eager to find him after the group of gun runners put a permanent end to his partner's career, Vann concocts a screwball scheme in which Fidler will impersonate the crook he resembles, while also trying to shake the Internal Affairs agents who are closely trailing him. Sam Jackson steals THE MAN from under Levy's nose, with some impressive, snappy dialogue reminiscent of his role as Jules Winnfield in PULP FICTION. Driven to the brink of insanity by the inane banter spewing from Levy's mouth, and a flatulence problem at the other end, Jackson fits into the role like a true pro. The film benefits from an elementary plot that simply allows the laughs to come thick and fast, and evolves only to allow Jackson to display further exasperation at his oblivious partner's behavior. A cut above the gross-out comedies it will undoubtedly be compared to, THE MAN is a deliciously silly film that benefits from some strong performances. [More]
Starring: Samuel L. Jackson, Eugene Levy, Miguel Ferrer, Luke Goss
Starring: Samuel L. Jackson, Eugene Levy, Miguel Ferrer, Luke Goss, Anthony Mackie, Susie Essman, Horatio Sanz, Rachael Crawford
Director: Les Mayfield
Director: Les Mayfield
Screenwriter: Jim Piddock, Steve Carpenter, Margaret Oberman
Producer: Rob Fried
Composer: John Murphy
Studio: New Line Cinema
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Reviews for The Man
As I was watching the movie, something strange happened... I started laughing.
In Roy Orbison terms, enduring this movie is like working for The Man.
If it weren't for the running flatulence gag, the whole silly business might be mistaken for slight, clean, fast-moving fun.
There are only a few genuine laughs in The Man, separated by long moments of pondering the many ways you could have spent your 90 minutes and nine bucks.
At what point do you know that a movie isn't just bad, it's off-the-scale, surrender-all-hope, no-turning-back bad?
At a zippy 83 minutes (including an ingenious title sequence that sets up the crime), The Man could be a lot worse. But with this kind of talent, it should be a lot better.
The Man arrives in theaters today with a sheet over its head and a tag on its toe.
The Man basically flatlines whenever Levy's off screen, becoming the most disposable buddy comedy in years.
The chattering salesman and the curse-crazy cop never click, but they have their moments.
Unfortunately the movie is pretty trashy itself, getting most of its laughs from Jackson's habit of interrogating people by running them down in his car and then beating them with a phone book.
The Man is yet another screwed-up mess that will give audiences another excuse to shun the multiplexes this weekend.
Using the comic genius Levy simply for his bushy eyebrows is like using a Ming vase as a doorstop.
I can't imagine how bored you would have to be with your life to find such a movie entertaining.
It's all marginally funny, exciting and suspenseful, emphasis on the marginally.
The Man [is] a vehicle of canned comedic setups that yield a slight buzz of low-level, odd-coupling amusement and a few welcome spasms of belly laughs.
The Man is so slapdash that two major characters are revealed to be the same person, a move prompted more by budgetary concerns than clever scripting.
Eugene Levy gets his first costarring role playing a dental salesman, which is ironic since the film has no teeth - also no brain or heart.
A graven image of 48 Hours and Midnight Run; though it draws near to them with its lips, its heart is far from them.
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