Simon Yam and Kelly Lin star in director Johnnie To's tale of three professional pickpockets, one mysterious beauty, and the elusive key that brings them all together. It's title taken from a street slang term describing the unique dexterity needed to lift wallets and flutter away undetected, Sparrow opens as Kei and his three partners in crime gingerly fleece unsuspecting strangers on the overcrowded streets of Hong Kong. The money Kei makes from this low-level criminal endeavor is plenty
enough to sustain his modest lifestyle, and being free from the restraints of a nine to five job he can spend his days aimlessly peddling through the streets on his bicycle and snapping photos on his Rolleiflex. One day, with his lens trained on the street as usual, Kei notices a gorgeous woman wander into frame. Instantly smitten, the felonious shutterbug strikes up a conversation and learns her name is Chun Lei, and that she seems to have a particularly mysterious past. Later, it becomes apparent that Chun Lei has purposefully targeted the Kei and his partners in hopes that they will help her obtain a very important key. But Chun Lei isn't the only one in search of this elusive key, because shortly thereafter a timid tycoon named Mr. Yen shows up with a suspiciously similar request. ~ Jason Buchanan, Rovi
Has a feather-light plot that flies in the face of credibility, but contains all the right components for an entertaining hit, like gracefully choreographed action sequences by martial arts veteran Yuen Biao, and a well-assembled cast.
Yam's easy charm holds the pic together, and supports are are all solid, with Lam standing out among the sparrows and the Mandarin-speaking Lin fine as the skittish but crafty Chun-lei.
The slow-burn of a cigarette in a lip-glossed mouth, the languid sprawl of Hong Kong, and a jazzy, bluesy soundtrack give this Cantonese drama an arty insouciance.
While Sparrow has done without the realism and darkness of To's previous movies, it still excites and engages in different ways. It's something unique, a fusion of styles and cultures that you rarely find in cinema.
The brisk directorial sleight-of-hand that dominates Sparrow might leave you somewhat bewildered, but you will be too awestruck by its cool craftsmanship to feel in any way robbed.
Some of the scenes in this gentle romantic pickpocketing yarn are pure cinematic pleasure, but in the end the plot and the characters are too thin to turn a series of delightfully stylised setpieces into a fully satisfying film.
Quite slow and not the easiest to follow, but the scene at the end with no speaking is very well done and makes the movie worth a look. Also very nicely filmed street shots and I liked the black and white photography.
To never fails to bring a smile to my face, even when the plot is not making a lot of sense. Simon Yam has more charisma, screen persona and acting skills than all hollywood put together. Also, weird to see Ka Tung Lam not playing a villian.
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