The actors couldn't be more perfect.
Man on the Train (2003)
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Reviews Counted:109
Fresh:100
Rotten:9
Average Rating:7.5/10
Consensus: A lovely, contemplative character study with two wonderful performances at its center.
Rated: R [See Full Rating] for some language and brief violence
Runtime: 90 mins
Genre: Foreign Films
Theatrical Release:May 9, 2003 Limited
Box Office: $2,316,487
Synopsis: In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a... In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a man who has never before asked questions of life or made deep connections with anybody, arriving for a final showdown, and he is. But, within minutes, he bumps into a local retired poetry teacher in dapper clothes, a man who looks like someone waiting for something exciting to happen, who appears perfectly settled in his life, and he was.until now. Suddenly, these two disparate men are about to find, at the very end of the line, an unexpected friendship, an opportunity to look back on their dashed hopes, and a magical, momentary chance to explore the road not taken. Patrice Leconte's award-winning Man on the Train is a simple, humor-filled tale that resonates with deeper themes of friendship and fate, of longing and regret and most of all, of the passage of time and the choices we make. It is the story of two men who might never have met but for an accident, who appear to have nothing in common, yet who change each other's view of life at the last possible moment. When the criminal Milan (French rock icon Johnny Hallyday) rolls into town planning to knock off the local bank on Saturday, he assumes it will go off without a hitch. Then he encounters Manesquier (leading French actor Jean Rochefort). A retired poetry teacher whose sedentary lifestyle bores even himself, Manesquier offers Milan a much-needed drink of water in his musty old chateau. The only thing they seem to share is that Manesquier, too, has an important date on Saturday; but his is for open-heart surgery. From the start, the two men are equally wary of the other. Manesquier senses that Milan is up to no good, while Milan is driven crazy by Manesquier's incessant talking. But, when Milan is forced to hole up in Manesquier's mansion until the robbery, the distance between them begins to disappear. Suddenly, Manesquier wonders what it would be like to trade his books and art for Milan's gun and life of adventure. Meanwhile, Milan covets Manesquier's bedroom slippers and cozy life of stability. As their friendship develops, surprising moments of humor and tenderness emerge, as each seemingly defies his personality to explore his yearning for the life of the other. Saturday arrives. Milan and Manesquier have no choice but to part ways and head towards their different destinies. But even their destinies are no longer the same, for their very dreams have become intertwined. [More]
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier, Isabelle Petit-Jacques, Edith Scob
Director: Patrice Leconte
Director: Patrice Leconte
Screenwriter: Claude Klotz
Producer: Philippe Carcassonne
Studio: Paramount Classics
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Reviews for Man on the Train
The movie has the kind of texture and depth that will make true movie-lovers sigh with the pure cinematic, human grace of it all.
Immensely satisfying, and if it's also puzzling and frustrating at times, so is life.
It gives us two of the most interesting men to show up in recent movies. So delightful are they both that you hate to have to leave them at the end of the film.
A blue mood on celluloid, capturing the myth of the American western in dual implosions of quiet regret.
The whole thing fairly begs to be taken for serious art, but old-fashioned star power is what really makes it worth watching.
No one mixes graceful melancholy and bittersweet comedy better than Leconte.
For the most part, [Leconte] pulls back and lets the two stars do their thing. And they do it marvelously.
[Leconte] directs as if he were enjoying the story bit by bit, and he is splendidly aided by his two principals.
A tiny little movie with epic, messy emotions hidden up its sleeves, it's a laugh-out-loud comedy that keeps you on the verge of tears.
Quintessentially (in places, ludicrously) French yet is suffused with a tender Yank envy.
The film ultimately seems more like an idea than a complete story, bereft of any narrative spine on which to hang the ideas.
We come to like these two men and look forward to their interaction with a quiet anticipation.
Charming, wistful, poignant, funny -- most of the things I prize in a film.
Taps into the same emotional current that sustains the entire 'buddy picture' genre, but does so with feeling and unmistakable insight.
Latest News for Man on the Train
April 23, 2008:
LeConte's Man on the Train Learning to Speak English ![]()
Miramax is prepping an English remake of Patrice LeConte's Man on the Train, with Thomas Bezucha in talks to direct. More...
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