There are wonderful moments of conversational communion between the two men and fascinating scenes in which they try on one another's skin in relation to outsiders.
Man on the Train (2003)
Tomatometer
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Reviews Counted:109
Fresh:100
Rotten:9
Average Rating:7.5/10
Consensus: A lovely, contemplative character study with two wonderful performances at its center.
Theatrical Release:May 9, 2003 Limited
Box Office: $2,316,487
Synopsis: In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a... In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a man who has never before asked questions of life or made deep connections with anybody, arriving for a final showdown, and he is. But, within minutes, he bumps into a local retired poetry teacher in dapper clothes, a man who looks like someone waiting for something exciting to happen, who appears perfectly settled in his life, and he was.until now. Suddenly, these two disparate men are about to find, at the very end of the line, an unexpected friendship, an opportunity to look back on their dashed hopes, and a magical, momentary chance to explore the road not taken. Patrice Leconte's award-winning Man on the Train is a simple, humor-filled tale that resonates with deeper themes of friendship and fate, of longing and regret and most of all, of the passage of time and the choices we make. It is the story of two men who might never have met but for an accident, who appear to have nothing in common, yet who change each other's view of life at the last possible moment. When the criminal Milan (French rock icon Johnny Hallyday) rolls into town planning to knock off the local bank on Saturday, he assumes it will go off without a hitch. Then he encounters Manesquier (leading French actor Jean Rochefort). A retired poetry teacher whose sedentary lifestyle bores even himself, Manesquier offers Milan a much-needed drink of water in his musty old chateau. The only thing they seem to share is that Manesquier, too, has an important date on Saturday; but his is for open-heart surgery. From the start, the two men are equally wary of the other. Manesquier senses that Milan is up to no good, while Milan is driven crazy by Manesquier's incessant talking. But, when Milan is forced to hole up in Manesquier's mansion until the robbery, the distance between them begins to disappear. Suddenly, Manesquier wonders what it would be like to trade his books and art for Milan's gun and life of adventure. Meanwhile, Milan covets Manesquier's bedroom slippers and cozy life of stability. As their friendship develops, surprising moments of humor and tenderness emerge, as each seemingly defies his personality to explore his yearning for the life of the other. Saturday arrives. Milan and Manesquier have no choice but to part ways and head towards their different destinies. But even their destinies are no longer the same, for their very dreams have become intertwined. [More]
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier, Isabelle Petit-Jacques, Edith Scob
Director: Patrice Leconte
Director: Patrice Leconte
Screenwriter: Claude Klotz
Producer: Philippe Carcassonne
Studio: Paramount Classics
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Reviews for Man on the Train
I can't recall a single other film occasion where a simple smile from one of the protagonists carries such emotional weight.
While the set-up ... is as old as the grade-B western, we're willing to forgive many of the contrivances because Rochefort and Hallyday are such wonderful personalities.
...a warm, endearing tale of the unlikely friendship between two very different men from very different walks of life.
...a worthy alternative to most of the generic fluff that tends to populate cinemas.
The movie is as contemplative, gentle, and subdued as it is understatedly funny.
Man on the Train is a contemplative ride through a province that expands with age -- the sad-eyed land of might-have-been.
Real depth here is short-circuited by florid editing and a general hokiness that undermine the unlikely rapport Hallyday and the lovely Rochefort forge.
Sometimes you get tired of 'splaining and you just want to say: Hey, this one's really very good.
A boldly conceived, impeccably crafted and wonderfully enigmatic two-character study that turns out to be a most powerful showcase for its two stars.
In the context of French filmmaker Patrice Leconte's canon, Man on the Train qualifies as an anecdote. But it may stay with some viewers longer than an epic poem.
When you exit the theater, you'll leave with a bittersweet and very satisfied smile.
The movie -- simple, pure and powerful -- makes us feel the intensity of both life in transit and life lived, if only for a moment, in another's skin.
Might not be the manliest way to make a buddy movie, but it makes for a great movie about being a man.
Latest News for Man on the Train
April 23, 2008:
LeConte's Man on the Train Learning to Speak English ![]()
Miramax is prepping an English remake of Patrice LeConte's Man on the Train, with Thomas Bezucha in talks to direct. More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
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|---|---|
| 90% 90% | District 9 |
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| 78% 78% | It Might Get Loud |
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