Average Rating: 6.9/10
Reviews Counted: 48
Fresh: 42 | Rotten: 6
This compassionate portrait of a New York City street vendor is as beautiful as it is melancholy.
Average Rating: 7.5/10
Critic Reviews: 16
Fresh: 15 | Rotten: 1
This compassionate portrait of a New York City street vendor is as beautiful as it is melancholy.
liked it
Average Rating: 3.5/5
User Ratings: 2,492
A former Pakistani rock star attempts to adjust to life in New York City while simultaneously making friends and selling coffee from a push cart on the streets of Manhattan in Iranian-American director Ramin Bahrani poignant, character-driven drama. By day Ahmad (Ahmad Razvi) tends to hurried Manhattan-ites by keeping their bellies full and ensuring that they are adequately caffeinated, and by night he supplements his income by selling bootleg porn DVDs. Though Ahmad hopes to one day raise
May 12, 2006 Wide
Oct 9, 2007
Films Philos
All Critics (50) | Top Critics (17) | Fresh (44) | Rotten (6) | DVD (5)
The makers of Man Push Cart seem so dedicated to making a film that defies Hollywood conventions that the finished product lacks enough entertainment value to justify price of admission.
Michael Simmond's cinematography, especially in scenes of Ahmad muscling his way amid evening traffic and early-morning delivery trucks, is wonderfully true to the moods of a city that never sleeps and seldom nods at the hard work going on before it.
Shot in three weeks, Man Push Cart does a fine job of capturing the bitter flavor of Ahmad's life.
Free of contrived melodrama and phony suspense, it ennobles the hard work by which its hero earns his daily bread.
Ahmad's concerns -- his sadness and his striving -- become universal. Though his early-morning riser's world is gray and threaded with melancholy, it becomes, in the end, a place we recognize.
It's by no means an exaggeration to describe this quietly powerful film as Bressonian.
A noble attempt to give us a look at one of the regular people who populate our civilization, one of the guys we may see everyday but would be otherwise totally unfamiliar with.
Although the acting isn't so hot from the non-professional bit part players, Ahmad Ravzi - also a non-professional actor and former push cart seller himself - puts in a stoic and solid performance.
Delivers the grind without sugar and clichés.
Fiction, but always with one foot firmly planted in a grim post-9/11 reality, the cast and crew got called terrorists by people passing by the set, and with a visit from the FBI to see if the film set was a coverup to conceal a terrorist plot in progress.
Fiction, but always with one foot firmly planted in a grim post-9/11 reality, the cast and crew got called terrorists by people passing by the set, and with a visit from the FBI to see if the film set was a coverup to conceal a terrorist plot in progress.
The darkly realistic cinematography of Michael Simmonds gives the film a near-documentary style in its depiction of the endless, physically draining work.
Recalling Italian neorealist movies such as The Bicycle Thief, Man Push Cart is a slice of a very sad life.
A sad, powerful, austere experience of a movie, this is the story of a man who has known profound, compound loss.
A sad, honest movie about the day-to-day courage and stoicism of decent people who cling to the lowest rung of the social ladder.
Man Push Cart, written and directed by Ramin Bahrani, attempts to put a human face on the men (and it is generally men) who work inside these tin boxes.
A slow-burn stunner, where nothing much of consequence happens, except life itself.
Man Push Cart is likely too slow to pull in much of an audience, but that's a shame, because it has so much empathy for the plight of the lonely.
In "Man Push Cart," Ahmad(Ahmad Razvi) spends the pre-dawn hours dragging his push cart through the cavernous avenues of Manhattan to his appointed corner where he serves coffee and bagels to commuters. At night, he makes the long trek back to Brooklyn, dragging along a propane tank. While buying cigarettes, he finds
July 22, 2008Super Reviewer
A micro budget movie about a Pakistani immigrant working at a coffee stand on the streets of New York. Almost the definition of a "sundancy" movie, the film is a neat little slice of life. The film basically just follows this character over the course of a week and see his struggles. Throughout the film there's a real
June 29, 2008
Super Reviewer
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