This ambitious and sometimes entertaining Brazilian feature tries to pull off a tricky maneuver but doesn't quite get it done.
The Man Who Copied (2005)
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Reviews Counted:31
Fresh:20
Rotten:11
Average Rating:6.1/10
Consensus: Though it has some nice moments, The Man Who Copied spins out of control by the second half and wears out its welcome.
Rated: R [See Full Rating] for language and some brief nudity.
Runtime: 2 hrs 3 mins
Genre: Foreign Films
Theatrical Release:Apr 22, 2005 Limited
Synopsis: Comic strip fantasy and glum working day reality mix in this unusual Brazilian film. André (Lázaro Ramos) works making photocopies at a stationary store, shooting the breeze with his sexy co-worker... Comic strip fantasy and glum working day reality mix in this unusual Brazilian film. André (Lázaro Ramos) works making photocopies at a stationary store, shooting the breeze with his sexy co-worker Marinęs (Luana Piovani) and spending his nights drawing comics and spying on neighborhood good girl Sylvia (Leandra Leal). He's too shy and poor to ask Sylvia out, until he hits on the idea of making counterfeit money with the color copier after business hours. Cardoso (Pedro Cardoso), the equally poor, would-be lover of Marinęs, helps with the scam. When André realizes Sylvia's loathsome father is spying on her in the shower, he realizes he needs to rob an armored car in order to finance an escape to Rio de Janeiro for the four of them. More windfalls and weirdness develop as romance slowly blossoms between Andre and Sylvia, and Marinęs and Cardoso, and blackmail, murder, and other crimes take hold. This film is definitely attention grabbing, and Ramos is great as the shy André, holding fast to audience sympathy and attention with a minimum of sympathetic characterization. Director Jorge Furtado (in his feature film debut) uses the copier motif in some interestingly post-modern ways via the art of Andy Warhol and Keith Haring, the obsessions of Hitchcock (as in REAR WINDOW and VERTIGO) and scenes of childhood depicted by crude animation. He effectively portrays a rarely seen economic class strata--the minimum wage slaves who manage a decent apartment and food, but not much beyond that--then dares to push the envelope even further. [More]
Starring: Lazaro Ramos, Leandra Leal, Luana Piovani, Pedro Cardoso
Starring: Lazaro Ramos, Leandra Leal, Luana Piovani, Pedro Cardoso
Director: Jorge Furtado
Director: Jorge Furtado
Screenwriter: Jorge Furtado
Producer: Giba Assis Brasil, Jorge Furtado
Studio: TLA Releasing
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Reviews for The Man Who Copied
Even after it loses its way, the movie suggests a world where anything can happen and no one -- certainly not the girl of one's dreams -- is quite who he or she seems to be.
An unconventional romance...a complex crime movie, and a jaunty comedy...few will leave this stylish, adventurous film wanting for entertainment.
Though South American in origin, The Man Who Copied has a universal feel that, language notwithstanding, could be from anywhere.
Don't let the unwieldy title throw you - The Man Who Copied is unusual, deft and (mostly) delightful
Furtado's sense of irony is a little bit on the obvious side, but at least it strengthens the film's underlying message.
The tone shifts from a quiet little love story to a caper film, which doesn't exactly fit together but both halves of the movie are entertaining.
The Brazilian romantic comedy careens down such an elaborately entertaining route that I hesitate to call it a romantic comedy. It's funny all the way, but romance doesn't enter the picture until the picture is almost over.
The movie never recovers from its jarring turn into a rushed, unconvincing caper movie with a blasé, Robin Hood attitude.
...a structural mess and way overlong at a little more than two hours.
Even as Andre's journey takes detours into stalking, counterfeiting, robbery and worse, the film maintains an incongruous sweetness of tone.
It takes a lot of wit and heart to make an engaging and ferociously funny movie out of a dull dead end job. But Brazilian director Jorge Furtado pulls it off nicely.
The story eventually spirals out of control -- there's much too much happening.
It's a real gem of a tale, beautifully told, and it would make a great candidate for Best Foreign Language Film at next year's Academy Awards.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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