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Movies / On DVD / The Man Who Cried
The Man Who Cried

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The Man Who Cried (2001)

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Reviews Counted:68

Fresh:24

Rotten:44

Average Rating:4.8/10

Consensus: The storyline is overwrought and awkward, and the audience is distanced from the flatly drawn characters.

Rated: R [See Full Rating] for sexuality

Runtime: 1 hr 40 mins

Genre: Dramas

Theatrical Release:May 25, 2001 Limited

Synopsis: The year is 1927. A little Jewish girl (Fegele) lives happily with her father, a cantor, and her grandmother in a Russian village. But with the ever-present threat of persecution, her father leaves... The year is 1927. A little Jewish girl (Fegele) lives happily with her father, a cantor, and her grandmother in a Russian village. But with the ever-present threat of persecution, her father leaves for America to find work and then send for his family. Soon after he leaves, violence engulfs the village. Fegele is bundled off with some fleeing villagers who hope to get to America, but she ends up on a boat to England.

Fegele is re-named Suzie, sent to a Christian foster home and to a school where she is forbidden to speak Yiddish but learns to sing. Ten years later she leaves England for Paris, where she becomes a chorus girl and befriends an ambitious blonde Russian dancer, Lola. She starts to save, hoping to earn enough money to pay for her passage to America. Together Lola and Suzie find jobs in the new opera company of impresario Felix Perlman.

Suzie falls in love with gypsy horse-handler Cesar, while Lola falls for Dante Dominio, an arrogant Italian opera singer. When the German army invades Paris, Dante, with Lola at his side, immediately collaborates with the Nazis, while Suzie joins Cesar and his band of gypsy musicians.

The Nazis have plans to round up the Jews and Gypsies. When Dante betrays Suzie, Lola decides to leave him: she tells Suzie that she will help them both get out. Suzie wants to stay and fight but Cesar encourages her to leave. Suzie is heartbroken, but eventually agrees.

In the mid-Atlantic the ship to America is bombed. Suzie is rescued but Lola drowns.

Once in America, Suzie continues her search for her father, which finally leads her to Hollywood... -- © 2001 Universal Focus [More]

Starring: Johnny Depp, Christina Ricci, John Turturro, Cate Blanchett

Starring: Johnny Depp, Christina Ricci, John Turturro, Cate Blanchett, Harry Dean Stanton, Oleg Yankovsky, Miriam Karlin, Pablo Veron

Director: Sally Potter

Director: Sally Potter
Screenwriter: Sally Potter
Producer: Christopher Sheppard, Simona Benzakein
Studio: Universal Focus

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Release:

Jan 2, 2002

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Reviews for The Man Who Cried

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1 - 20 (sorted by critic A-Z)
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The film brings grace and balance to the traditional Holocaust story.

Full Review Source: Combustible Celluloid | comment Comment
05/26/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

A strange and strangely unaffecting little drama.

Full Review Source: Seattle Post-Intelligencer | comment Comment
05/31/01
William Arnold
William Arnold
Seattle Post-Intelligencer

So campy and overripe that it verges on parody.

Full Review Source: Sacramento Bee | comment Comment
07/13/01
Joe Baltake
Joe Baltake
Sacramento Bee

A mixed bag -- reasonably well-made and of some interest, but not the kind of movie to truly engage the viewer.

Full Review Source: ReelViews | comment Comment
06/15/01
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

The romance and the drama often seem insincere and overwrought because of Potter's chimerical cinematic techniques.

Full Review Source: SPLICEDWire | comment Comment
05/25/01
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

The sort of film that has Americans adopting various European accents, not always in a convincing fashion.

Full Review Source: Jam! Movies | comment Comment
07/13/01
Liz Braun
Liz Braun
Jam! Movies

The story is pretty cornball, with an ending that can only be called pure Hollywood.

comment Comment
06/15/01
Jay Carr
Jay Carr
Boston Globe
Top Critic Icon Top Critic

a survivor story set against a historical background writ from the movie screen

Full Review Source: Reeling Reviews | comment Comment
06/06/01
Laura Clifford
Laura Clifford
Reeling Reviews

An achingly beautiful and quite touching movie.

Full Review Source: Empire Magazine | comment Comment
04/20/01
Clark Collis
Clark Collis
Empire Magazine

Potter eschews drama for posing, politics for postulating, and provides enough symbolic broad strokes to gag a magic realist.

Full Review Source: Globe and Mail | comment Comment
07/16/01
Kevin Courrier
Kevin Courrier
Globe and Mail
Top Critic Icon Top Critic

Ricci’s strong work is ultimately just support for Potter’s entrancing and emotional vision.

Full Review Source: TheMovieReport.com | comment Comment
06/14/01
Michael Dequina
Michael Dequina
TheMovieReport.com

If [Potter] personally, in her 40s, can go to Argentina and become a tango dancer, then we can't complain about anything that happens to Suzie. Not that we'd want to.

Full Review Source: Chicago Sun-Times | comment Comment
06/22/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

After a vivid start, [Potter's] movie turns into an inventory of set-pieces nearly devoid of tension, momentum, even much sense.

Full Review Source: San Diego Union-Tribune | comment Comment
06/01/01
David Elliott
David Elliott
San Diego Union-Tribune

Succeeds in spite of its aura of exhibitionistic sensitivity.

Full Review Source: Journal News (Westchester, NY) | comment Comment
05/26/01
Marshall Fine
Marshall Fine
Journal News (Westchester, NY)

Spotted with historical inaccuracies and groaning with dialogue so dreadful that it makes a fine cast look ridiculous again and again.

Full Review Source: New York Post | comment Comment
05/25/01
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

There's hardly a moment that feels authentic. Maybe that's why the man is crying.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
07/27/01
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

A heartbreaking counterpoint to big war spectacles, beautifully performed by Christina Ricci, Cate Blanchett, Johnny Depp and John Turturro.

Full Review Source: Associated Press | comment Comment
05/24/01
David Germain
David Germain
Associated Press
Top Critic Icon Top Critic

There's only one performer in the movie who looks completely at ease with what he's doing: the horse.

Full Review Source: Entertainment Weekly | comment Comment
06/28/01
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
Top Critic Icon Top Critic

Sandbagged by cardboard characters, trite dialogue, and the disastrous miscasting of Christina Ricci.

Full Review Source: Reel.com | comment Comment
05/25/01
Pam Grady
Pam Grady
Reel.com

The whole film rings true to artful tones and positions, because Vierny sees the triumph of freedom over oppression as a kind of graceful, superlative production.

Full Review Source: Film Journal International | comment Comment
06/01/01
Peter Henne
Peter Henne
Film Journal International
 
 
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