Outstanding performances from the entire cast, especially Tony Shaloub as Califonia’s leading criminal defense lawyer.
The Man Who Wasn't There (2001)
Tomatometer
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Reviews Counted:151
Fresh:121
Rotten:30
Average Rating:7.1/10
Consensus: Stylish but emotionally distant, TMWWT is a clever tribute to the noir genre.
Theatrical Release:Oct 31, 2001 Limited
Box Office: $7,408,031
Synopsis: The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a... The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a slow-moving, barely talking barber who doesn't seem to want much out of life. He has virtually no relationship with his wife, Doris (Frances McDormand), who has more fun with her boss, Big Dave (James Gandolfini). But when a strange character (Jon Polito) lets it be known that he's looking for a silent partner to finance his dream business (something he calls dry cleaning), Ed sees a possible way out of his doldrums. Just like any good James M. Cain novel (which the Coens cited as a major influence on the story), blackmail, deceit, violence, murder, and double crossing ensue, all with the magic Coen twists and turns. THE MAN WHO WASN'T THERE looks simply magnificent; the cinematography, the outfits, and the set designs perfectly capture this intriguing post-WWII paranoid world embodied by misfits, cheats, simpletons, con men, and other ne'er-do-wells. Thornton, who also supplies the wonderfully droll narration, gives a bravura performance as Ed, the everyman who has never strayed from the straight and narrow--until now. Always with a Chesterfield in his mouth, he wanders from scene to scene almost as if he's a spectator--even though he's at the center of everything that goes on. The supporting cast, as usual in a Coen brothers film, is outstanding, including McDormand, Gandolfini, Polito, Tony Shalhoub, Richard Jenkins, and Scarlett Johansson as a young potential piano prodigy. [More]
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco, Katherine Borowitz, Jon Polito, Scarlett Johansson, Richard Jenkins, Tony Shalhoub, Adam Alexi-Malle, Christopher McDonald
Director: Joel Coen
Director: Joel Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Ethan Coen
Composer: Carter Burwell
Studio: USA Films
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Reviews for The Man Who Wasn't There
It's James M. Cain without the prevailing sexual tension and without characters pleasuring themselves in deceit.
A feast for the eyes and it teases the intellect, but it seems cold and strangely non-involving for a film so carefully and lovingly conceived and executed.
You may be surprised at how long The Man Who Wasn't There sticks around, lingering in the mind long after everyone has met his or her inevitable fate.
Who knew Billy Bob Thornton was such a good-looking guy? Besides Angelina Jolie?
Knowing that such a wasteful project was done by such talents as Joel and Ethan Coen makes the outcome all the more mindbogglingly weak.
In addition to being smart and highly entertaining it isn’t so much a throwback as a smartly-drawn reflection of where we are today.
A black-and-white tour de force by the Coen Brothers about all the changes that rain down upon a passive man when he decides to change his life.
Another quirky, intelligent, beautifully photographed, and finely crafted movie from the Brothers Coen.
Thornton...has the most subtly expressive, heavily crevassed film noir face to smoke a dangling cigarette since Humphrey Bogart.
Stands as another masterful Coen brothers effort and ranks as one of the best films of 2001.
Delicious twists, glimmering black-and-white cinematography, and encyclopedic references to some of the classics of the genre.
An unconventional, unpredictable thriller that Hitchcock probably would have enjoyed.
It's the best-looking film of the year, hands down, and Thornton is dazzling, a dull diamond in the gutter rough.
A glorious tribute to the splendors of what should rightfully be called the blackish and whitish movie.
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