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Movies / On DVD / The Man Without a Past
The Man Without a Past

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The Man Without a Past (2003)

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Reviews Counted:92

Fresh:90

Rotten:2

Average Rating:8/10

Consensus: Kaurismäki delivers another droll comedy full of his trademark humor.

Rated: PG-13 [See Full Rating] for some violence

Runtime: 1 hr 37 mins

Genre: Comedies

Theatrical Release:Apr 4, 2003 Limited

Box Office: $794,306

Synopsis: The Man Without a Past delivers a new edge to the story that stirred viewers all around the world in Drifting Clouds. Without sidestepping bitter issues, one could paint an image of a small country... The Man Without a Past delivers a new edge to the story that stirred viewers all around the world in Drifting Clouds. Without sidestepping bitter issues, one could paint an image of a small country in the North in a touching, amusing, and liberating way.

At the beginning of this new film, a man (Markku Peltola) has travelled to Helsinki in search of work, gets mugged, loses his memory, and has to start completely anew, from scratch. He discovers love (Kati Outinen), and is forced to discover values with which man will not be ashamed to live. A small story about people who still know how to be gentle, an enormous cinematic experience.

The themes contain a translucent beauty, cross-lit in a confusingly rich manner by the direction. In the case of expression, the author takes the biggest risks, and wins. We know, ultimately from Juha (1999), the last silent movie of the 20th century, that Aki Kaurismäki is a rare breed of a portrayer of the border area, between the urban and the countryside, the privileged sector of the class society and the margins of Finland, sentenced to anonymity. Kaurismäki’s portrayal of subservience contains dignity (neither pompous nor heavy-hearted), humour, a touch of melancholy (not far removed from the style of Chaplin), and an excellent understanding of the lot of his subjects, a lot that most probably is irrevocably at the bottom, but one that also possesses its own rebellious delights as well as room for one's own self. The choice is a proud one, too, as power and domination seem to corrupt always and absolutely. The ethics and style of Aki Kaurismäki are strongly related to several of the giants of cinema who have shown as well an absolute and most boundless respect for man by the creation of such a precise way of expression and such a cinematic style, with respect visible in every frame, through the means of pure cinema.

Aki Kaurismäki has created a film in which the daring and powerful scale of form, colours and means of expression indicates a fine awareness of tradition in relation to both Finnish and European cinema, and a bold new stylistic move in his own world. -- © Sony Pictures Classics [More]

Starring: Markku Peltola, Kati Outinen, Sakari Kuosmanen, Juhani Niemela

Starring: Markku Peltola, Kati Outinen, Sakari Kuosmanen, Juhani Niemela, Kaija Pakarinen

Director: Aki Kaurismäki

Director: Aki Kaurismäki
Screenwriter: Aki Kaurismäki
Producer: Aki Kaurismäki
Studio: Sony Pictures Classics

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Release:

Oct 7, 2003

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Reviews for The Man Without a Past

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1 - 20 (sorted by rotten rating)
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N/R

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Full Review Source: Boston Phoenix | comment Comment
07/02/03
Boston Phoenix
N/R

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Full Review Source: St. Louis Post-Dispatch | comment Comment
05/23/03
St. Louis Post-Dispatch
N/R

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Full Review Source: Guardian [UK] | comment Comment
01/27/03
Guardian [UK]
N/R

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Full Review Source: Sydney Morning Herald | comment Comment
06/20/03
Sydney Morning Herald
N/R

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Full Review Source: This is London | comment Comment
01/25/03
This is London
N/R

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Full Review Source: FilmFour.com | comment Comment
01/29/03
FilmFour.com
N/R

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Full Review Source: Time Out | comment Comment
02/09/06
Derek Adams
Derek Adams
Time Out
N/R

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Full Review Source: Zap2it.com | comment Comment
02/25/04
Erin Curry
Erin Curry
Zap2it.com
N/R

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Full Review Source: Premiere Magazine | comment Comment
07/03/04
Glenn Kenny
Glenn Kenny
Premiere Magazine
N/R

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Full Review Source: rec.arts.movies.reviews | comment Comment
04/28/03
Louis Proyect
Louis Proyect
rec.arts.movies.reviews
N/R

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Full Review Source: Urban Cinefile | comment Comment
10/18/08
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile

The problem is, the humour of the material does not combine as well as it should with the filmmaking style. The method is absurdist, and so are the characters, and there's nothing straight to play off.

Full Review Source: UK Critic | comment 1 Comment
03/02/03
Ian Waldron-Mantgani
Ian Waldron-Mantgani
UK Critic

Leaves us to admire the technique and the music without giving us much more to care about.

Full Review Source: Internet Reviews | comment 1 Comment
04/17/03
Steve Rhodes
Steve Rhodes
Internet Reviews

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Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine

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Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat

Although this 2003 Oscar nominee didn't take the golden boy home (Nowhere in Africa got it instead), this is definitely a film with a great future in the art-house circuit.

Full Review Source: E! Online | comment Comment
04/04/03
E! Online

It is at once artful and unpretentious, sophisticated and completely accessible, sure of its own authority and generous toward characters and audience alike -- a movie whose intended public is the human race.

Full Review Source: New York Times | comment Comment
11/25/02
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

A more sublime viewing experience you could scarcely hope for.

Full Review Source: eye WEEKLY | comment Comment
10/02/02
Adam Nayman
Adam Nayman
eye WEEKLY

In vibrant color, accompanied by mutated Finnish rockabilly and possessed by Kaurismaki's trademark bleak hilarity, it includes all the deadpan delivery, heavy drinking and bad luck of his earlier films.

Full Review Source: L.A. Weekly | comment Comment
04/10/03
Andrew Mann
Andrew Mann
L.A. Weekly

A gentle, surprising little movie whose rewards lie in what its characters don't say as much as in what they do.

Full Review Source: Washington Post | comment Comment
05/16/03
Ann Hornaday
Ann Hornaday
Washington Post
 
 
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