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The Man Without a Past (2003)
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Reviews Counted:92
Fresh:90
Rotten:2
Average Rating:8/10
Consensus: Kaurismäki delivers another droll comedy full of his trademark humor.
Theatrical Release:Apr 4, 2003 Limited
Box Office: $794,306
Synopsis:
The Man Without a Past delivers a new edge to the story that stirred viewers all around the world in Drifting Clouds. Without sidestepping bitter issues, one could paint an image of a small country...
The Man Without a Past delivers a new edge to the story that stirred viewers all around the world in Drifting Clouds. Without sidestepping bitter issues, one could paint an image of a small country in the North in a touching, amusing, and liberating way.
At the beginning of this new film, a man (Markku Peltola) has travelled to Helsinki in search of work, gets mugged, loses his memory, and has to start completely anew, from scratch. He discovers love (Kati Outinen), and is forced to discover values with which man will not be ashamed to live. A small story about people who still know how to be gentle, an enormous cinematic experience.
The themes contain a translucent beauty, cross-lit in a confusingly rich manner by the direction. In the case of expression, the author takes the biggest risks, and wins. We know, ultimately from Juha (1999), the last silent movie of the 20th century, that Aki Kaurismäki is a rare breed of a portrayer of the border area, between the urban and the countryside, the privileged sector of the class society and the margins of Finland, sentenced to anonymity. Kaurismäki’s portrayal of subservience contains dignity (neither pompous nor heavy-hearted), humour, a touch of melancholy (not far removed from the style of Chaplin), and an excellent understanding of the lot of his subjects, a lot that most probably is irrevocably at the bottom, but one that also possesses its own rebellious delights as well as room for one's own self. The choice is a proud one, too, as power and domination seem to corrupt always and absolutely. The ethics and style of Aki Kaurismäki are strongly related to several of the giants of cinema who have shown as well an absolute and most boundless respect for man by the creation of such a precise way of expression and such a cinematic style, with respect visible in every frame, through the means of pure cinema.
Aki Kaurismäki has created a film in which the daring and powerful scale of form, colours and means of expression indicates a fine awareness of tradition in relation to both Finnish and European cinema, and a bold new stylistic move in his own world. -- © Sony Pictures Classics
Starring: Markku Peltola, Kati Outinen, Sakari Kuosmanen, Juhani Niemela
Starring: Markku Peltola, Kati Outinen, Sakari Kuosmanen, Juhani Niemela, Kaija Pakarinen
Director: Aki Kaurismäki
Director: Aki Kaurismäki
Screenwriter: Aki Kaurismäki
Producer: Aki Kaurismäki
Studio: Sony Pictures Classics
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Reviews for The Man Without a Past
As in the films of Charlie Chaplin, 'Past' presents the downcast and needy as human beings of worth, humor and dignity...
Like the better films of Frank Capra, this movie combines irony and a humanist outlook with substantial social criticism.
At the end of The Man Without a Past, I felt a deep but indefinable contentment.
A powerful film made with minimal means, it's a story of poor people on the fringes of society, done without sentimentality or condescension but with wicked humor.
Peltola [gives] a deadpan performance that combines the comic gravity of Buster Keaton and the sweet sentiment of Charlie Chaplin.
This is a film that allows you to discover its intent, style and meaning while denying you anything that can be called immediate gratification.
A deadpan delight...a graceful, quietly humorous tribute to the sort of fringe-dwellers rarely seen in mainstream movies, let alone treated with such affection and respect.
No, I refuse to label it a comedy. I refuse to classify it so easily. As far as I’m concerned, this is a movie about humanity.
While others labor in the digital vineyard, Kaurismaki forges modern antiques out of unfashionable materials that, like a jukebox from a junkyard, are still in working order.
Wry, whimsical and sure of tone, dry in all of the right ways and without an ounce of condescension.
Kaurismaki doesn't favor heavy strokes on his cinematic canvas, and there's little else to the plot. But what's there is plenty for this talented writer-director to explore.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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