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Movies / On DVD / The Man Without a Past
The Man Without a Past

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The Man Without a Past (2003)

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Reviews Counted:92

Fresh:90

Rotten:2

Average Rating:8/10

Consensus: Kaurismäki delivers another droll comedy full of his trademark humor.

Rated: PG-13 [See Full Rating] for some violence

Runtime: 1 hr 37 mins

Genre: Foreign Films

Theatrical Release:Apr 4, 2003 Limited

Box Office: $794,306

Synopsis: The Man Without a Past delivers a new edge to the story that stirred viewers all around the world in Drifting Clouds. Without sidestepping bitter issues, one could paint an image of a small country... The Man Without a Past delivers a new edge to the story that stirred viewers all around the world in Drifting Clouds. Without sidestepping bitter issues, one could paint an image of a small country in the North in a touching, amusing, and liberating way.

At the beginning of this new film, a man (Markku Peltola) has travelled to Helsinki in search of work, gets mugged, loses his memory, and has to start completely anew, from scratch. He discovers love (Kati Outinen), and is forced to discover values with which man will not be ashamed to live. A small story about people who still know how to be gentle, an enormous cinematic experience.

The themes contain a translucent beauty, cross-lit in a confusingly rich manner by the direction. In the case of expression, the author takes the biggest risks, and wins. We know, ultimately from Juha (1999), the last silent movie of the 20th century, that Aki Kaurismäki is a rare breed of a portrayer of the border area, between the urban and the countryside, the privileged sector of the class society and the margins of Finland, sentenced to anonymity. Kaurismäki’s portrayal of subservience contains dignity (neither pompous nor heavy-hearted), humour, a touch of melancholy (not far removed from the style of Chaplin), and an excellent understanding of the lot of his subjects, a lot that most probably is irrevocably at the bottom, but one that also possesses its own rebellious delights as well as room for one's own self. The choice is a proud one, too, as power and domination seem to corrupt always and absolutely. The ethics and style of Aki Kaurismäki are strongly related to several of the giants of cinema who have shown as well an absolute and most boundless respect for man by the creation of such a precise way of expression and such a cinematic style, with respect visible in every frame, through the means of pure cinema.

Aki Kaurismäki has created a film in which the daring and powerful scale of form, colours and means of expression indicates a fine awareness of tradition in relation to both Finnish and European cinema, and a bold new stylistic move in his own world. -- © Sony Pictures Classics [More]

Starring: Markku Peltola, Kati Outinen, Sakari Kuosmanen, Juhani Niemela

Starring: Markku Peltola, Kati Outinen, Sakari Kuosmanen, Juhani Niemela, Kaija Pakarinen

Director: Aki Kaurismäki

Director: Aki Kaurismäki
Screenwriter: Aki Kaurismäki
Producer: Aki Kaurismäki
Studio: Sony Pictures Classics

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Release:

Oct 7, 2003

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Reviews for The Man Without a Past

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61 - 80 (sorted by date)
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For a world that's increasingly globalized yet also increasingly fragmented, The Man Without a Past resonates deeply as a bittersweet fairy tale, resplendent with the hope of salvation.

Full Review Source: PopMatters | comment Comment
04/25/03
Jocelyn Szczepaniak-Gillece
Jocelyn Szczepaniak-Gillece
PopMatters

[Kaurismaki's] a humanist bearing witness to the human parade. To be part of that parade is to be touched by his perspective, and to have your world altered -- magically, fleetingly, memorably.

Full Review Source: Globe and Mail | comment Comment
04/25/03
Rick Groen
Rick Groen
Globe and Mail

An engaging, absorbing, strangely illuminating experience.

Full Review Source: Seattle Post-Intelligencer | comment Comment
04/25/03
William Arnold
William Arnold
Seattle Post-Intelligencer

The prolific Kaurismaki's sweetest slice-of-lifer yet.

Full Review Source: San Jose Mercury News | comment Comment
04/24/03
Glenn Lovell
Glenn Lovell
San Jose Mercury News
Top Critic Icon Top Critic

This underclass fable is slight, finally, but its miserable/waggishly optimistic worldview leaves you feeling a little more alive.

Full Review Source: Slate | comment Comment
04/22/03
David Edelstein
David Edelstein
Slate

It's wonderfully refreshing.

Full Review Source: Ebert & Roeper | comment Comment
04/21/03
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

A delicious blend of hilarity and heartbreak.

Full Review Source: Rolling Stone | comment Comment
04/20/03
Peter Travers
Peter Travers
Rolling Stone
Top Critic Icon Top Critic

Leaves us to admire the technique and the music without giving us much more to care about.

Full Review Source: Internet Reviews | comment 1 Comment
04/17/03
Steve Rhodes
Steve Rhodes
Internet Reviews

Droll, reticent, flawlessly filmed fable of generosity.

Full Review Source: TIME Magazine | comment Comment
04/16/03
Richard Corliss
Richard Corliss
TIME Magazine
Top Critic Icon Top Critic

The film is sporadically hilarious in a chilly, unemphatic way. But for what may be the first time here, Kaurismaki also seems to be genuinely enamored of every mushy, underlying sentiment he might once have held up to withering examination.

Full Review Source: Los Angeles Daily News | comment Comment
04/11/03
Bob Strauss
Bob Strauss
Los Angeles Daily News

Offers up a subversive comic sensibility, one that somehow combines Buster Keaton's deadpan stare with Frank Capra's tireless optimism and filters them both through a black-ice Finnish point of view.

Full Review Source: Los Angeles Times | comment Comment
04/10/03
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

In vibrant color, accompanied by mutated Finnish rockabilly and possessed by Kaurismaki's trademark bleak hilarity, it includes all the deadpan delivery, heavy drinking and bad luck of his earlier films.

Full Review Source: L.A. Weekly | comment Comment
04/10/03
Andrew Mann
Andrew Mann
L.A. Weekly

A surprisingly quirky and touching romantic comedy.

Full Review Source: ReelViews | comment Comment
04/10/03
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

Hopeful about the ability for man to persevere in a capricious world.

Full Review Source: Film Freak Central | comment Comment
04/05/03
Walter Chaw
Walter Chaw
Film Freak Central

Offers a surprisingly touching and simple story about human dignity in the most trying of circumstances.

Full Review Source: Journal News (Westchester, NY) | comment Comment
04/05/03
Marshall Fine
Marshall Fine
Journal News (Westchester, NY)

[A] warm and utterly beguiling fable.

Full Review Source: TV Guide's Movie Guide | comment Comment
04/04/03
Ken Fox
Ken Fox
TV Guide's Movie Guide

An understated but weirdly grabbing portrait of a man who loses his memory after being mugged and cobbles together an alternative existence with minimal means.

Full Review Source: Newsday | comment Comment
04/04/03
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

Although this 2003 Oscar nominee didn't take the golden boy home (Nowhere in Africa got it instead), this is definitely a film with a great future in the art-house circuit.

Full Review Source: E! Online | comment Comment
04/04/03
E! Online

Sublime, with a touch of the ridiculous.

Full Review Source: New York Post | comment Comment
04/04/03
Megan Lehmann
Megan Lehmann
New York Post

An extraordinarily good-natured movie.

Full Review Source: Salon.com | comment Comment
04/04/03
Charles Taylor
Charles Taylor
Salon.com
 
 
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