The Mangler (1994) - Rotten Tomatoes

The Mangler (1994)




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A hellish piece of professional laundry equipment wreaks havoc in a tiny New England town in this horror film. It all begins in The Blue Ribbon Laundry, a place run by the ruthless, crippled old Bill Gartley. With no feelings at all for his employees, he demands absolute obedience and unrelenting hard work. One day an old speed iron goes crazy, sucks in and permanently presses a hapless worker. The rest of the crew is frightened and in shock, but this does not stop old Gartley from cruelly ordering them back to work. A police officer investigates the case and begins suspecting that the sinister owner is concealing something. When a boy suffocates in an abandoned refrigerator that had somehow come in contact with the speed iron, the cop calls in his friend the theoretical parapsychologist who deduces that there is a "transference of evil" going on. Meanwhile, Gartley is putting the moves on comely Lin Sue; he also is interested in messing with his own niece. Both girls have been harmed by the evil iron and have contributed some of their precious blood to it. It is the cop who discovers that in order for Gartley to remain successful, he must see that the demonic machine periodically receives such sacrificial donations.more
Rating: R
Genre: Horror
Directed By:
Written By: Stephen David Brooks, Harry Alan Towers, Tobe Hooper
In Theaters:
On DVD: Aug 17, 2004
New Line Home Entertainment


Robert Englund
as Bill Gartley
Ted Levine
as John Hunton
Daniel Matmor
as Mark Jackson
Jeremy Crutchley
as Pictureman0
Vanessa Pike
as Sherry Ouelette
Ted Le Platt
as Doctor Ramos
Lisa Morris
as Lin Sue
Vera Blacker
as Mrs. Frawley
Ashley Hayden
as Annette Gillian
Danny Keogh
as Herb Diment
Todd Jensen
as Roger Martin
Sean Taylor
as Derrick Gates
Gerrit Schoonhoven
as Aaron Rodriguez
Nan Hamilton
as Mrs. Ellenshaw
Adrian Waldron
as Mr. Ellenshaw
Norman Coombes (II)
as Judge Bishop
Larry Taylor
as Sheriff Hughes
Irene Franges
as Mrs. Smith
Megan Wilson
as Ginny Jason
Odile Rault
as Alberta
Ron Smerczak
as Officer Steele
Show More Cast

News & Interviews for The Mangler

Critic Reviews for The Mangler

All Critics (17) | Top Critics (6)

Full Review… | January 1, 2000
Top Critic

Full Review… | March 26, 2009
Top Critic

Full Review… | February 9, 2006
Time Out
Top Critic

Full Review… | May 20, 2003
New York Times
Top Critic

Full Review… | February 13, 2001
Los Angeles Times
Top Critic

Full Review… | January 1, 2000
Washington Post
Top Critic

Audience Reviews for The Mangler

Probably Tobe Hooper's goriest film... and his most bizarre too! Having a demonically possessed clothes-presser is a unique sight to behold. I thought it was good fun - ridiculous, but enjoyable. Robert Englund and Ted Levine are always good to watch.

Lee ?

Super Reviewer


"And did the Countenance Divine Shine forth upon our clouded hills? And was Jerusalem builded here Among these dark Satanic mills? "

William Blake, "Jerusalem", 1795

"We all have to make sacrifices!" --from the Mangler-screenplay, 1995

Coming from Stephen King's 1978 collection of shorts, "Night Shift", Tobe Hooper brings us his very different-take: a parable of 19th Century, proprietary-capitalism and the nightmare of the American-workplace. This film is what labor-conditions were 100-years-ago, and what they could easily become again if we aren't too-careful. Since the discovery of a slave-sweatshop in El Monte, California a few-years after the release of this film, it isn't so fantastic. Maybe some of us were too-comfortable to "get" this film in the Clinton-era. Most people don't get this film at-all, even just watching it on its surface-levels. It's a real hoot! Yep, you can watch it with a beer, and you can watch it with an open-mind thinking about its deeper-meanings, or you can do both. And--shocker!--ALL of them are FUN.

Tobe Hooper has said for-decades he wanted to do comedy, and he comes close here, which helps this film from being too-oppressive. Ithink Hooper understood the story better than Stephen King--it seems King worked in a clothes-pressing plant like this one in the 1960s, which gave-rise to it, but Hooper has always struck me as politically-radical in his approach-to-horror. The best horror usually has a real subversive-edge, and this is what makes this a good one. Sure, it's hokey, but it has its tongue firmly-planted in its cheek, it is jokey. It also has some sub-themes in the lines, "There's a piece of me in that machine--and a piece of it in me." It speaks well of how people are spiritually-contaminated by our system. The disease is greed.

If it wasn't for Ted Levine ("Buffalo Bill" in Silence of the Lambs) as the bedraggled town-cop John Hunton, Robert Englund would literally steal-the-show here. Tobe uses some great low-shots and wide-angle lens compositions (ala "Citizen Kane") that lend the film a great comic-book look, and make Englund shine as a despicable-villain. The irony is, mill-owner Gartley is also a victim of the machine, even robbing him of the ability to walk. He's also half-blind, which makes-sense. The characters are pretty well-drawn, and we learn that Detective Hunton has some baggage left-behind from the death of his wife in a car-accident, years-earlier. The town is run like a virtual-dictatorship by Gartley, who basically represents the "robber-barons" of the 19th century (as well as today), completely-uncaring about the safety and welfare of his employees. A man who has lost his humanity. Sound familiar?

Eventually, an accident occurs where the niece of Englund's character spills her own blood on the "Mangler", a clothes-press that must be 100-years-old. Another shop-employee spills her belladonna-laced antacids into the guts of the machine, and it begins taking-victims...and parts. Oddly, all the people Bill Gartley "owns" (the Mayor, the Police Chief, Doctors, etc.) have missing-fingers. Of course, the premise of a demoniacally-possessed machine is fantasy, which is what makes the story a parable, but it's fun. Over-time, Detective Hunton finds that the Gartley dynasty has been-sacrificing their own young to the infernal-machine for a century, and now they're "spreading-the-love". Don't all employers? Some require the blood of a virgin!

So, people have been wrong about this one. It's a minor-classic of a bad-decade for horror. The genre has its fallow-periods where interest isn't as-high, and 1995 wasn't exactly a banner-year for horror-buffs. And quit-comparing every film a director does to their most well-known ones, it's emotionally-retarded. This is a solid horror-film, and if it had been presented in the proper-context, would have been better-appreciated. The short-story is good, but this is better, and Stephen King sure isn't Edgar Allan Poe or Lovecraft ferchrissakes. The New Line DVD is great, it has a perfect widescreen-transfer, and even includes the gore that was cut with split-screen comparisons to the theatrical-version. A great horror-film, and a respectable one for Tobe Hooper. Now you can all go and rewatch the original "Texas Chainsaw Massacre"--just don't touch-yourself so-much this time. We all have to make sacrifices, after-all. Ignore the other reviews, those people are snobs.

Cassandra Maples

Super Reviewer


One of those Stephen King adaptations which is weak and wretched to watch. Even Robert Englund (Freddy from Nightmare on Elm Street) as a cruel machine shop foreman couldn't save this movie from the blockbuster bin of forgotten horror flicks. There are some nasty gore moments, but nothing to get too worked up over.

Lafe Fredbjornson

Super Reviewer

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