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Manhattan

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Manhattan (1979)

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Reviews Counted:42

Fresh:41

Rotten:1

Average Rating:8.6/10

Consensus: One of Woody Allen's early classics, Manhattan combines modern, bittersweet humor and timeless romanticism with unerring grace.

Runtime: 1 hr 36 mins

Genre: Comedies

Synopsis: Woody Allen finished his first decade of filmmaking, the 1970s, with one of his greatest and most deliberately artistic films, the love song to his home city MANHATTAN. Allen plays Isaac Davis,... Woody Allen finished his first decade of filmmaking, the 1970s, with one of his greatest and most deliberately artistic films, the love song to his home city MANHATTAN. Allen plays Isaac Davis, another one of his thinly veiled self-portraits, who finds himself suffering from a mid-life crisis. Unhappy in his career as a variety show comedy writer and newly divorced from a woman who has since come out as a lesbian, Isaac waffles between two relationships: that with emotionally honest and open, but far too young, Tracy (Mariel Hemingway in an Academy Award nominated performance) and with pseudo-intellectual, neurotic Mary (Diane Keaton). Allen uses these two women to contrast the naiveté and lack of pretension of youth with the growing cynicism of middle age. Although the acting and writing is some of the sharpest of Allen's filmmaking career, what is truly memorable and endearing about MANHATTAN is its romantic view of New York. Whereas the character relationships in the film are largely dysfunctional and fueled by a vision of perfection, by contrast the city itself is envisioned by Allen as an object of perfection. In order to create aesthetically pleasing images of the city, Allen and his longtime cinematographer Gordon Willis decided to shoot the film in black and white and in the 2.35:1 widescreen ratio, the first time that Allen had used either format. The images are backed by the songs of quintessential New York composer George Gershwin, setting a tone of romanticism and grandeur that underlies Isaac's (and Allen's) inherent dissatisfaction with the mundane aspects of his life. The magnificence of the city of New York is the backdrop to the search for a similar splendor in human relationships in MANHATTAN. [More]

Starring: Woody Allen, Diane Keaton, Mariel Hemingway, Meryl Streep

Starring: Woody Allen, Diane Keaton, Mariel Hemingway, Meryl Streep, Michael Murphy, Anne Byrne, Karen Ludwig, Michael O'Donoghue

Director: Woody Allen

Director: Woody Allen
Producer: Charles H. Joffe
Screenwriter: Woody Allen, Marshall Brickman
Composer: George Gershwin

[See More Credits]

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Release:

Jul 5, 2000

[DVD Details]
 
 
  • Nominated for two Academy Awards®* in 1979 and considered "one of Allen's most enduring accomplishments" (Boxoffice), Manhattan is a wry, touching and finely rendered portrait of modern relationships against the backdrop of urban alienation. Sumptuously photographed in black and white (Allen's first film in that format) and accompanied by a magnificent Gershwin score, Woody Allen's aesthetic triumph is a "prismatic portrait of a time and a place that may be studied decades hence" (Time). 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates, a seventeen-year-old girlfriend, Tracy (Mariel Hemingway), he doesn't love and a lesbian ex-wife, Jill (Meryl Streep), who's writing a tell-all book about their marriage and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress, Mary (Diane Keaton), Isaac falls head over heels in lust! Leaving Tracy, bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshakeandthe gateway to true love is a revolving door.
  • Source: 20th Century Fox Home Entertainment
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    Reviews for Manhattan

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    I recently saw Manhattan again, for perhaps the fifth time, and my absolute joy as I sat there surpassed any other Allen film in recent memory.

    Full Review Source: Combustible Celluloid | comment Comment
    01/01/00
    Jeffrey M. Anderson
    Jeffrey M. Anderson
    Combustible Celluloid

    Allen’s stunning use of black-and-white cinematography (by Gordon Willis) and music score by Gershwin makes this meditation on love and life in New York one of his most memorable.

    Full Review Source: Austin Chronicle | comment Comment
    01/01/00
    Marjorie Baumgarten
    Marjorie Baumgarten
    Austin Chronicle
     
     
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