Opening

72% Fast & Furious 6 May 24
21% The Hangover Part III May 23
63% Epic May 24
97% Before Midnight May 24
85% We Steal Secrets: The Story Of Wikileaks May 24
83% Fill the Void May 24
17% A Green Story May 24
—— Alyce Kills May 24

Top Box Office

87% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
99% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
93% The Kings of Summer May 31
90% The East May 31

Manon des Sources (Manon of the Spring) (Jean de Florette II ) Reviews

Jonathan Rosenbaum
Chicago Reader
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Berri also remains a boringly uninteresting director, dotting every i and crossing every t with nothing much on his mind but platitude.

Full Review Source: Chicago Reader

August 14, 2012
Variety Staff
Variety
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Berri is unable to overcome the inherent feebleness of the Manon character, here played ineffectually by the lovely and talented Emmanuelle Beart.

Full Review Source: Variety

March 26, 2009
Derek Adams
Time Out
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There is a satisfying symmetry to events, with Manon able to take her revenge on the Soubeyrans.

Full Review Source: Time Out

June 24, 2006
James Berardinelli
ReelViews
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The acting, from that of the four major stars to the numerous supporting cast members, is without flaw.

Full Review Source: ReelViews | Original Score: 4/4

September 25, 2003
Vincent Canby
New York Times
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The movie is stuffed with cues for arias that are never heard.

Full Review Source: New York Times | Original Score: 2.5/5

May 20, 2003
Roger Ebert
Chicago Sun-Times
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All of this takes place with the implacable pace of a Greek tragedy.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
Rita Kempley
Washington Post
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Though appealing in its wispy way, Manon is only a continental soap opera.

Full Review Source: Washington Post

January 1, 2000
Desson Thomson
Washington Post
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Auteil's Ugolin is so well drawn, it's a shame to see the role lost.

Full Review Source: Washington Post

January 1, 2000
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