Baichwal just tries to create a cinematic equivalent of Burtynsky's still images rather than a documentary on the artistic process of Burtynsky himself. So the end result is a film that would be better as a coffee table book.
Manufactured Landscapes (2007)
Tomatometer
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Reviews Counted:57
Fresh:47
Rotten:10
Average Rating:7.3/10
Runtime: 90 mins
Genre: Dramas
Synopsis: From its stunning eight-minute opening shot to the remarkable documentation of China's Three Gorges Dam, Manufactured Landscapes is an impressive experience. That's partly due to the size and space... From its stunning eight-minute opening shot to the remarkable documentation of China's Three Gorges Dam, Manufactured Landscapes is an impressive experience. That's partly due to the size and space of the landscapes, but mostly because of the beauty of the images--their composition and color, a sharp contrast to the film's content: this is a luscious world of destruction. Ultimately Landscapes is the portrait of one man's voyage as it follows celebrated still photographer Edward Burtynsky on a tour of Asia. Burtynsky takes large-format stills of industrial landscapes: factory workers lined up to infinity, giant ships eviscerated, massive recycling dumps, expansive strip mines. His goal is to portray humanity's relationship to nature as we pursue progress. His images are striking and picturesque, leaving viewers on their own to comprehend the negative global ramifications. Director Jennifer Baichwal makes insightful choices. The film perfectly balances the images of Burtynsky with those of talented cinematographer/creative consultant Peter Mettler. Burtynsky provides the vision and philosophy, and the filmmakers examine the specific details. And when Burtynsky speaks, he neither celebrates nor condemns but simply explores who we are in relation to our planet. We extract things from the environment to survive, and that is damaging the world. -- © Sundance Film Festival. [More]
Director: Jennifer Baichwal
Director: Jennifer Baichwal
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Reviews for Manufactured Landscapes
Doesn't go very far beneath the surface, or ask many provocative questions.
Each of Burtynsky's subjects is impressive in its scale, but terrifying in its ecological impact.
Again and again, Baichwal tapers passages of her film toward resolution in the form of a finished picture by Burtynsky, telescoping her vision and his.
What the film does well is to make us part of the problem: After all we demand the lowest prices in everything we buy and that probably means it was made in China.
An extraordinary documentary that helps us understand the full sweep and implications of the "Made in China" label.
never stoops to easy scape-goating, nor to pat, politically correct answers. It is as engaging, as maddeningly thought-provoking, as it is beautiful
"Manufactured Landscapes" is long on heart and short on brains. The result is a technically dazzling film with its heart in the right place. But it's just too thoughtless to become fine art.
Canadian fine art photographer Edward Burtynsky shoots the recycling dumps, superfactories, vast quarries and shipyards, capturing visual beauty in the ecological devastation.
Manufactured Landscapes is an absorbing if unsettling documentary about the work of the Canadian photographer Edward Burtynsky.
I got the streamlined version of a minimalist modern art piece, when what I wanted was an old-fashioned documentary.
A profound, open-ended meditation on man's physical impact on his environment.
A highly unusual viewing experience that stimulates the senses and the conscience simultaneously.
If you're even remotely interested in China's rich history and how the country has been changing, than this documentary is a must see.
An art film in the truest sense: the subjects are an artist and his work, and the cinematographer filming him is an artist as well.
Jennifer Baichwal's important, disquieting documentary offers the strongest reminder since Born Into Brothels that art can serve a crucial, consciousness raising purpose.
The images are striking in their otherworldliness, suggesting science-fiction landscapes as readily as dystopian ruins of the here and now.
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