never stoops to easy scape-goating, nor to pat, politically correct answers. It is as engaging, as maddeningly thought-provoking, as it is beautiful
Manufactured Landscapes (2007)
Tomatometer
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Reviews Counted:57
Fresh:47
Rotten:10
Average Rating:7.3/10
Runtime: 90 mins
Genre: Dramas
Synopsis: From its stunning eight-minute opening shot to the remarkable documentation of China's Three Gorges Dam, Manufactured Landscapes is an impressive experience. That's partly due to the size and space... From its stunning eight-minute opening shot to the remarkable documentation of China's Three Gorges Dam, Manufactured Landscapes is an impressive experience. That's partly due to the size and space of the landscapes, but mostly because of the beauty of the images--their composition and color, a sharp contrast to the film's content: this is a luscious world of destruction. Ultimately Landscapes is the portrait of one man's voyage as it follows celebrated still photographer Edward Burtynsky on a tour of Asia. Burtynsky takes large-format stills of industrial landscapes: factory workers lined up to infinity, giant ships eviscerated, massive recycling dumps, expansive strip mines. His goal is to portray humanity's relationship to nature as we pursue progress. His images are striking and picturesque, leaving viewers on their own to comprehend the negative global ramifications. Director Jennifer Baichwal makes insightful choices. The film perfectly balances the images of Burtynsky with those of talented cinematographer/creative consultant Peter Mettler. Burtynsky provides the vision and philosophy, and the filmmakers examine the specific details. And when Burtynsky speaks, he neither celebrates nor condemns but simply explores who we are in relation to our planet. We extract things from the environment to survive, and that is damaging the world. -- © Sundance Film Festival. [More]
Director: Jennifer Baichwal
Director: Jennifer Baichwal
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Reviews for Manufactured Landscapes
Again and again, Baichwal tapers passages of her film toward resolution in the form of a finished picture by Burtynsky, telescoping her vision and his.
Opens with [an] extended moment: a 10-minute-long tracking shot of workers, rows and rows and rows of them, putting in their hours at a Chinese factory. It's an epic touch and reason enough to see this movie in a theater with a large screen.
[The filmmakers] try hard, but fail to present the Industrial Revolution, which began in the late 18th century, as something new and terrifying.
Without browbeating, hectoring, lecturing or sermonizing, Manufactured Landscapes makes an inelegant point elegantly. The point: Humanity is altering the landscape drastically and by implication irrevocably.
"Manufactured Landscapes" is long on heart and short on brains. The result is a technically dazzling film with its heart in the right place. But it's just too thoughtless to become fine art.
Once the film gets going, it gets going, and the beauty of 'manufactured landscapes' can be rather profound.
Manufactured Landscapes is a visual poem, an irony in that it moves slowly while capturing beauty about industrial life which is rarely either.
The images are striking in their otherworldliness, suggesting science-fiction landscapes as readily as dystopian ruins of the here and now.
What's remarkable is that [Baichwal's] footage manages to add meaning to the photographs, already so powerful on their own.
What the film mercilessly captures that his possibly too-lovely photos only imply is the stunning degree to which poor countries have become the source and cesspit for the West’s addiction to consumer crap.
A mesmerizing work of visual oncology, a witness to a cancer that's visible only at a distance but entwined with the DNA of everything we buy and everywhere we shop. We are not in charge of this, you may want to reply. If not, who is?
Doesn't go very far beneath the surface, or ask many provocative questions.
Yet another 'isn't it a pity' doc, where the damnable inequity of globalization provides an occasion for muted, impotent rage.
You won't see anything all year as profoundly scary as Jennifer Baichwal's Manufactured Landscapes, a magisterial tour of the world's most devastating and devastated industrial zones with Canadian photographer Edward Burtynsky.
As Burtynsky trains his contemplative eye on seismic economic changes in China, Baichwal makes those still pictures come alive.
Jennifer Baichwal's important, disquieting documentary offers the strongest reminder since Born Into Brothels that art can serve a crucial, consciousness raising purpose.
Manufactured Landscapes is an absorbing if unsettling documentary about the work of the Canadian photographer Edward Burtynsky.
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