Shimizu doesn't quite achieve the ostensible goal of Marebito's verite style and purposefully low-tech execution: to pervert our sense of what is real.
Marebito (2004)
Tomatometer
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Reviews Counted:29
Fresh:12
Rotten:17
Average Rating:5.2/10
Consensus: The scares are lacking in this J-horror flick, and the plot soon turns half-baked.
Rated: R [See Full Rating] for strong bloody violence and some nudity
Runtime: 1 hr 32 mins
Genre: Horror/Suspense
Theatrical Release:Dec 9, 2005 Limited
Synopsis: Japanese director Takashi Shimizu (JU-ON) presents another slice of atmospheric J-horror with his gory frightfest MAREBITO. In an inspired bit of casting, real-life director Shinya Tsukamoto... Japanese director Takashi Shimizu (JU-ON) presents another slice of atmospheric J-horror with his gory frightfest MAREBITO. In an inspired bit of casting, real-life director Shinya Tsukamoto (TETSUO: THE IRON MAN) stars as Masuoka, a filmmaker obsessed with capturing the essence of fear via his ever-present digital-video camera. When Masuoka accidentally films a grisly suicide in the Tokyo subway, he begins to explore the system's subterranean depths and finds a ghostly pale, mute girl (Tomomi Miyashita) chained naked to a rock. Bringing her back to his apartment, Masuoka soon learns that his new companion drinks only blood, which he compliantly feeds her--in increasingly disturbing ways. Shot on a tight schedule over an eight-day break between JU-ON and its American remake, THE GRUDGE, MAREBITO makes effective use of its claustrophobic, underworld locales and grainy, hand-held cinematography for a ghoulishly queasy and self-reflexive treatise on the nexus between art and reality, and media and violence. [More]
Starring: Shinya Tsukamoto, Tomomi Miyashita
Starring: Shinya Tsukamoto, Tomomi Miyashita
Director: Takashi Shimizu
Director: Takashi Shimizu
Screenwriter: Chiaki Konaka
Studio: Tartan Films
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Reviews for Marebito
It neither musters the campy horror of Ju-on nor follows through on its art-house potential.
Marebito feels like it's twice as long as it should be. It feels like an episode of a horror anthology show, stuffed to make it feature length.
It's just a little too interesting for its own good, a fascinating setup that leads to multiple conclusions -- none of them satisfying.
It is far from a completely successful experiment, but it does create something with a unique enough identity to be worth exploring.
Marebito is a disturbing supernatural drama that leaves a sour taste in the mouth.
Dreamy and atmospheric, Marebito is a better film than Ju-On: The Grudge.
Plot specifics are so muddy that part of the fun is getting lost in the narrative red herrings.
Any profound statement that Shimizu is making gets lost in translation, if it was ever there in the first place.
By the end, the story's ambiguities begin to cancel each other out, leaving us with no good readings rather than a multitude of valid ones.
Marebito is no conventional vampire movie but a speculation into the notion that ancient people could sense alien beings in their midst.
Shimizu has done what compatriots such as Hideo Nakata have not yet managed to do: make a contemporary Japanese horror movie that has some new ideas in it.
Marebito never gives us what it promised: a glorious, totally new sense of horror.
For Japanese horror aficionados only, and even they are likely to be underwhelmed by this stew of half-baked ideas and creepy sensations.
And if the trip doesn't have the clear-cut directions of a Hollywood film, it has all the ideas -- and cold, unsettling flights of fantasy -- of a nightmare, where faceless people look and look and look, but never see.
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