Marebito (2004)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:29
Fresh:12
Rotten:17
Average Rating:5.2/10
Consensus: The scares are lacking in this J-horror flick, and the plot soon turns half-baked.
Rated: R [See Full Rating] for strong bloody violence and some nudity
Runtime: 1 hr 32 mins
Genre: Horror/Suspense
Theatrical Release:Dec 9, 2005 Limited
Synopsis: Japanese director Takashi Shimizu (JU-ON) presents another slice of atmospheric J-horror with his gory frightfest MAREBITO. In an inspired bit of casting, real-life director Shinya Tsukamoto... Japanese director Takashi Shimizu (JU-ON) presents another slice of atmospheric J-horror with his gory frightfest MAREBITO. In an inspired bit of casting, real-life director Shinya Tsukamoto (TETSUO: THE IRON MAN) stars as Masuoka, a filmmaker obsessed with capturing the essence of fear via his ever-present digital-video camera. When Masuoka accidentally films a grisly suicide in the Tokyo subway, he begins to explore the system's subterranean depths and finds a ghostly pale, mute girl (Tomomi Miyashita) chained naked to a rock. Bringing her back to his apartment, Masuoka soon learns that his new companion drinks only blood, which he compliantly feeds her--in increasingly disturbing ways. Shot on a tight schedule over an eight-day break between JU-ON and its American remake, THE GRUDGE, MAREBITO makes effective use of its claustrophobic, underworld locales and grainy, hand-held cinematography for a ghoulishly queasy and self-reflexive treatise on the nexus between art and reality, and media and violence. [More]
Starring: Shinya Tsukamoto, Tomomi Miyashita
Starring: Shinya Tsukamoto, Tomomi Miyashita
Director: Takashi Shimizu
Director: Takashi Shimizu
Screenwriter: Chiaki Konaka
Studio: Tartan Films
Get This Movie
Reviews for Marebito
| Tomatometer | Critic | Review | Category |
|---|---|---|---|
|
It neither musters the campy horror of Ju-on nor follows through on its art-house potential. Full Review |
|||
|
It is far from a completely successful experiment, but it does create something with a unique enough identity to be worth exploring. Full Review |
|||
|
As creepy as it is frustrating. Full Review |
|||
|
It drops names such as Madame Blavatsky for gravitas, but has as little to do with theosophy as a Westerner has to do with chopsticks. Full Review |
|||
|
[An] atmospheric, hypnotic digital video wonder. Full Review |
|||
|
Any profound statement that Shimizu is making gets lost in translation, if it was ever there in the first place. Full Review |
|||
|
The gloppy sound effects are so over-the-top, they invite laughter, and the bloodsucking scenes are allowed to become absurdly repetitious. Full Review |
|||
|
It's actually a pretty lousy thriller. Full Review |
|||
|
It's not really scary, but it reaches a level of insanity so unhinged and dispassionately wretched that it defies description. Full Review |
|||
|
Shimizu has done what compatriots such as Hideo Nakata have not yet managed to do: make a contemporary Japanese horror movie that has some new ideas in it. Full Review |
|||
|
Shimizu doesn't quite achieve the ostensible goal of Marebito's verite style and purposefully low-tech execution: to pervert our sense of what is real. Full Review |
|||
|
Marebito is a disturbing supernatural drama that leaves a sour taste in the mouth. Full Review |
|||
|
By the end, the story's ambiguities begin to cancel each other out, leaving us with no good readings rather than a multitude of valid ones. Full Review |
|||
|
The year's least frightening horror film. Full Review |
|||
|
Click to read the article Full Review |
|||
|
Marebito is no conventional vampire movie but a speculation into the notion that ancient people could sense alien beings in their midst. Full Review |
|||
|
Shot on digital video as murky as Masuoka's imagination, its creeping sense of dank dread is as slow to build as it is hard to shake. Full Review |
|||
|
The look of the film, and the gore, meld into the real and unreal of this hero's journey. But the journey is muddled, and at times unintentionally funny. Full Review |
|||
|
And if the trip doesn't have the clear-cut directions of a Hollywood film, it has all the ideas -- and cold, unsettling flights of fantasy -- of a nightmare, where faceless people look and look and look, but never see. Full Review |
|||
|
For Japanese horror aficionados only, and even they are likely to be underwhelmed by this stew of half-baked ideas and creepy sensations.
|
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

Take a look at MSN's choices for the Top 10 films of 2009.

What were your favorites? Least favorites? The funniest and scariest? Moviefone wants to know!

Hollywood.com explores why QT's characters resonate so well with audiences.

TIME chimes in with their own list of the best films released this year.

Click through to see which movies BuzzSugar placed in their Best-of-Decade list!
Promos

Get the latest Tomatometer updates on upcoming movies!









