It has a respect for the cultures it observes, and a nice sense of place. But it has no compelling character. It might have in real life. But on the screen she's as diluted as the drugs she helps to sell.
Thrillingly subjective, teeming with the fullness of everyday proletarian life that one finds in the work of the directors who most influenced Marston in the making of this movie: Hector Babenco and the Brazilian realists, Ken Loach and Mike Leigh.