Ramin Serry explores such issues as global politics, ideological conflict, and puberty in this coming-of-age film about being an Iranian-American teenager during the Islamic Revolution in 1979. Maryam (Mariam Parris) longs to be just a normal New Jersey 16-year-old, but her traditionalist father Darius (Shaun Toub) keeps her on a short rein. Maryam's modest goal is further hampered when her Iranian cousin Ali (David Ackert) comes to stay with them. Though Ali's stridently fundamentalist views represent all that Maryam has come to resent, the two gradually form a friendship of sorts. Meanwhile, Ali's vehement anti-Shah beliefs, coupled with his knowledge of a dark family secret, creates tension between himself and Darius. At the same time, Maryam notices a change in her neighbors' reactions toward her family as the conflict in Iran grows ever more ugly. This film was screened at the 2000 L.A. Independent Film Festival. … More
as Darius Armin
as Mary Armin
as Homa Armin
as Ali Armin
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Critic Reviews for Maryam
A lovely, intricate coming-of-age portrait set in a cross-cultural context, "Maryam" reps a promising debut from Ramin Serry.
Smarter in its message than its execution, this is still a thought-provoking rental.
First-time writer-director Serry shows a remarkable gift for storytelling with this moving, effective little film.
High on melodrama. But it's emotionally engrossing, too, thanks to strong, credible performances from the whole cast.
A searing reminder of the relevance of recent history and of the timeless power of fiction to humanize people and crystallize sweeping events into personal drama.
It's a very sincere work, but it would be better as a diary or documentary.
A quietly moving look back at what it was to be Iranian-American in 1979.
It takes this never-ending confusion and hatred, puts a human face on it, evokes shame among all who are party to it and even promotes understanding.
captures that perverse element of the Kafkaesque where identity, overnight, is robbed and replaced with a persecuted "other."
The film is powerful, accessible and funny. You won't miss its messages, but you'll be entertained as well.
Maryam is a small film, but it offers large rewards.
The picture would be better suited to public television, where its modest character will be more at home and its didacticism perhaps less blatant.
Not only a coming-of-age story and cautionary parable, but also a perfectly rendered period piece.
A lack of thesis makes Maryam, in the end, play out with the intellectual and emotional impact of an after-school special.
Carefully crafted, notably in its deft dramatic structuring, and has become timely in a way its maker could never have anticipated.
It's a wise and powerful tale of race and culture forcefully told, with superb performances throughout.
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