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10/21/02
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Maryam (2002)
76
%
Tomatometer
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Reviews Counted:34
Fresh:26
Rotten:8
Average Rating:6.8/10
Runtime: 90 mins
Genre: Dramas
Theatrical Release:Feb 22, 2002 Limited
Synopsis: Opening with a montage of news footage of the Islamic revolution in Iran and the exile of the Shah, set to The Cars' "Good Times Roll," MARYAM depicts the patriotic fervor and anti-Iranian... [More]
Starring: Mariam Parris, Shaun Toub, David Ackert, Shohreh Aghdashloo
Director: Ramin Serry
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Reviews for Maryam
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03/27/09
Top CriticClick to read the article
01/30/02
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08/09/02
Top CriticIt's a very sincere work, but it would be better as a diary or documentary.
07/19/02
[Serry] wants to blend politics and drama, an admirable ambition. It's too bad that the helping hand he uses to stir his ingredients is also a heavy one.
02/22/02
Top CriticNo review available.
08/12/05
The picture would be better suited to public television, where its modest character will be more at home and its didacticism perhaps less blatant.
04/11/02
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03/05/02
A lack of thesis makes Maryam, in the end, play out with the intellectual and emotional impact of an after-school special.
03/15/02
Less about racial profiling than racial self-hatred, Maryam is all shallow afterschool special with a loathsome anti-foreign core.
02/28/02
Serry does a fine job of capturing the climate of the times and, perhaps unwittingly, relating it to what is happening in America in 2002. But hard-to-believe plot twists force the movie off track in its final half hour.
02/22/02
A searing reminder of the relevance of recent history and of the timeless power of fiction to humanize people and crystallize sweeping events into personal drama.
07/20/02
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12/06/05
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04/05/03
This movie may not have the highest production values you've ever seen, but it's the work of an artist, one whose view of America, history and the awkwardness of human life is generous and deep.
03/02/02
Top CriticHigh on melodrama. But it's emotionally engrossing, too, thanks to strong, credible performances from the whole cast.
07/26/02
Top CriticMost impressive, though, is the film's open-ended finale that refuses to entirely close its characters' emotional wounds.
02/10/02
A quietly moving look back at what it was to be Iranian-American in 1979.
07/19/02
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01/30/02
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