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Masculin Feminin (1966)
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Reviews Counted:33
Fresh:31
Rotten:2
Average Rating:8.5/10
Consensus: A '60s time capsule stuffed with ideas about politics, pop culture, and the battle of the sexes, Masculine-Feminine is one of Godard's classic black-and-white films.
Theatrical Release:Feb 11, 2005 Limited
Synopsis: A film about "the children of Marx and Coca Cola" directed by the child of Brecht and Hollywood, MASCULINE-FEMININE is a touchstone in the career of Jean-Luc Godard, a window into the kinetic world... A film about "the children of Marx and Coca Cola" directed by the child of Brecht and Hollywood, MASCULINE-FEMININE is a touchstone in the career of Jean-Luc Godard, a window into the kinetic world of Paris in the 1960s, and a high point in the cinema of the French New Wave. It chronicles the love affair between Paul (Jean-Pierre Leaud), a young zealot with revolutionary leanings, and Madeleine (Chantal Goya), a fetching pop singer. Their relationship gradually breaks down as the two attempt to bridge their differences, albeit unsuccessfully (he likes Bob Dylan, she is only interested in the top 40). Along the way, they discuss current world culture and politics with their friends, and encounter a variety of bizarre individuals who only serve to exacerbate the youthful confusion of both Paul and Madeleine. One of Godard's most insightful films, MASCULINE-FEMININE represents a search for tenderness, and is, at the same time, an unsettling illumination of the Battle of the Sexes. By casting legitimate pop sensation Goya in the lead role, Godard threatened to date his film, taking into account the speed with which pop singers are replaced. Luckily for him, Goya is an engaging screen presence whose mere appearance is enough to keep things interesting. [More]
Starring: Jean-Pierre Léaud, Chantal Goya, Catherine-Isabelle Duport
Starring: Jean-Pierre Léaud, Chantal Goya, Catherine-Isabelle Duport
Director: Jean-Luc Godard
Director: Jean-Luc Godard
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Reviews for Masculin Feminin
Jean-Luc Godard is like a fine wine that is an acquired taste... and I prefer margaritas.
Certainly, this was one of Godard's masterworks made during a period of incredible productivity and quality.
Jean-Luc Godard visited the world of young folk to create his most humane film.
Don't call it a 'classic.' This is a classic, but to use that word makes it sound like something good for you that's really bland or hard to swallow.
Thirty-nine years after it first appeared, Jean-Luc Godard's document of youthful confusion has not aged one minute.
This is the Godard that fans would like to take to the grave: jaundiced, naughty, immediate, very much alive.
The kaleidoscopic film's meandering mirrors the uncertainty of that restless, tumultuous era.
It could shake up young viewers now as it 40 years ago, except that there's no French New Wave momentum of film passion.
Not only does Paul’s battle with Madeleine represent a war between the sexes, but a clash between disparate philosophical and moral beliefs.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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