Opening

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32% The Giver $6.4M
46% Sin City: A Dame to Kill For $6.3M
65% The Hundred-Foot Journey $5.3M
20% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
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M*A*S*H Reviews

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Tim Brayton
Antagony & Ecstasy

That it's is so much of its moment doesn't mean that it's aged poorly... it's brash enough and inventive enough to still feel like a work of radicalism, more than 40 years on,

Full Review Source: Antagony & Ecstasy | Original Score: 8/10

August 27, 2014
Gene Siskel
Chicago Tribune
Top Critic IconTop Critic

For me, M*A*S*H contains as much depression as humor.

Full Review Source: Chicago Tribune | Original Score: 4/4

January 18, 2013
Cole Smithey
ColeSmithey.com

[VIDEO ESSAY] "M*A*S*H" ruthlessly satirizes the hypocritical U.S. military, and de facto the U.S. Government, for its systemic hypocrisies and arbitrary means of doling out Draconian punishments to friends and foe alike.

Full Review Source: ColeSmithey.com | Original Score: A

August 26, 2012
Heather Boerner
Common Sense Media

Rollicking, biting, satirical classic is so 1970.

Full Review Source: Common Sense Media | Original Score: 4/5

December 18, 2010
Fernando F. Croce
CinePassion

Altman chronicles the sardonic wasteland with a camera that's always in the wrong place at the right time

Full Review Source: CinePassion

September 25, 2009
Eric Henderson
Slant Magazine

A good dint lower than its reputation, more so if you look at it not as one of the seminal 1970s films but instead as the first chapter from the finest filmmaking career spent examining the American mystique.

Full Review Source: Slant Magazine | Original Score: 2/4

September 15, 2009
Joshua Rothkopf
Time Out New York
Top Critic IconTop Critic

It's the first real film of the 1970s.

Full Review Source: Time Out New York | Original Score: 5/6

July 31, 2008
Emanuel Levy
EmanuelLevy.Com

Impudent and bold, M.A.S.H., Altman's most commercial film, satirizes the glorification of war, military bureaucracy, social hypocrisy, repressed sexuality and other norms than have lost their validity.

Full Review Source: EmanuelLevy.Com | Original Score: A

July 2, 2007
Jonathan Rosenbaum
Chicago Reader
Top Critic IconTop Critic

This is still watchable for the verve of the ensemble acting and dovetailing direction, but some of the crassness leaves a sour aftertaste.

Full Review Source: Chicago Reader

June 27, 2007
Variety Staff
Variety
Top Critic IconTop Critic

In the end M.A.S.H. succeeds, in spite of its glaring faults.

Full Review Source: Variety

June 27, 2007
Dennis Schwartz
Ozus' World Movie Reviews

A black comedy that rings hollow today.

Full Review Source: Ozus' World Movie Reviews | Original Score: C

April 19, 2007
Walter Chaw
Film Freak Central

Altman boiled away the muddled meat of literary pretension intended to smokescreen the essence of war: blood on the one side and semen on the other.

Full Review Source: Film Freak Central | Original Score: 3.5/4

July 26, 2006
Geoff Andrew
Time Out
Top Critic IconTop Critic

It shows Altman's stylistic signature in embryonic form.

Full Review Source: Time Out

June 24, 2006
Christopher Null
Filmcritic.com

A battle against the idea that 'a war movie' had to be a serious affair.

Full Review Source: Filmcritic.com | Original Score: 4.5/5

April 14, 2006
Mark Bourne
DVDJournal.com

If its bite and sass have diminished for today's new audiences ... consider that a testimony to the attitude, style, and technique it pioneered and infused into American popular movies.

Full Review Source: DVDJournal.com

April 6, 2006
Scott Weinberg
eFilmCritic.com

One of Altman's bona-fide masterpieces. Even better than the subsequent TV show. (Easily.)

| Original Score: 5/5

April 3, 2005
Steve Crum
Kansas City Kansan

Altman's best film and most influential.

| Original Score: 5/5

January 5, 2005
Jeffrey M. Anderson
Combustible Celluloid

Robert Altman's biggest success to date is also one of his least interesting films.

Full Review Source: Combustible Celluloid | Original Score: 3/4

November 15, 2004
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

One of the reasons M*A*S*H is so funny is that it's so desperate.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

October 23, 2004
James Kendrick
Q Network Film Desk

Ahead of its time and still one of the most effectively subversive comedies ever to emerge from a major studio.

Full Review Source: Q Network Film Desk | Original Score: 4/4

January 21, 2004
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