Matthew Barney: No Restraint (2006)

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Movie Info

How does artist Matthew Barney use 45,000 pounds of petroleum jelly, a factory whaling vessel, and traditional Japanese rituals to create his latest art project? Barney plowed the waters off the coast of Nagasaki to film his massive endeavor, Drawing Restraint 9. The documentary "Matthew Barney: No Restraint" journeys to Japan with Barney and his collaborator Bjork, as the visual artist creates a "narrative sculpture" telling a fantastical love story of two characters that transform from land … More

Rating: Unrated (nothing objectionable)
Genre: Documentary, Kids & Family, Musical & Performing Arts, Special Interest
Directed By: ,
Written By: Alison Chernick
In Theaters:
On DVD: May 1, 2007
Runtime:
IFC First Take - Official Site

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Critic Reviews for Matthew Barney: No Restraint

All Critics (23) | Top Critics (13)

More interesting is Chernick's concise survey of Barney's intriguing early work, including weird Vaseline-covered sculptures and footage of him trying to draw while under physical restraints such as a harness, etc.

Full Review… | April 1, 2007
Chicago Reader
Top Critic

If Chernick set out to portray the couple's movie project as a bit frivolous and self-absorbed, she succeeded. But I doubt that was the intention.

Full Review… | March 23, 2007
Seattle Times
Top Critic

[Director] Chernick's stylish yet superficial report looks more like an orientation video for museum visitors.

Full Review… | February 2, 2007
Chicago Sun-Times
Top Critic

Barney's art presents a cross between the creepiness of David Cronenberg and David Lynch and the grandiosity and business sense of George Lucas. Chernick's film unquestioningly admires it.

Full Review… | February 2, 2007
Chicago Tribune
Top Critic

As blandly lucid as Barney is wildly and perplexingly imaginative.

Full Review… | February 2, 2007
Boston Globe
Top Critic

Alison Chernick's documentary attempts to provide some much-needed insight, combining a biographical and artistic portrait of the provocateur.

December 30, 2006
Hollywood Reporter
Top Critic

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