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Max

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Max (2002)

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Reviews Counted:110

Fresh:76

Rotten:34

Average Rating:6.4/10

Consensus: Well-acted in the execution of its provocative "what-if?" premise.

Rated: R [See Full Rating] for language

Runtime: 1 hr 48 mins

Genre: Dramas

Theatrical Release:Dec 27, 2002 Limited

Box Office: $215,134

Synopsis: Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines... Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines between art, politics and personal beliefs have been blurred beyond reckoning. The only question that remains is this: now what? In what direction will things turn next?

For Max Rothman (JOHN CUSACK), a soldier just returned from the Great War, the present has certainly turned out radically different from what he imagined. He returned from the war, one of the walking wounded, a damaged man trying to sort out his life. Once a promising artist, he lost his right arm and with it, his ability to paint. Yet the future still draws Max like a magnet, fueled by the restlessness, typified by the birth of modernism. Now, he opens up what quickly becomes an acclaimed art gallery. Also caught in the Post-War struggle are his beautiful wife (MOLLY PARKER) and children, a once picturesque family, now torn by uncertainty and Max's infatuation with his alluring artistic mistress (LEELEE SOBIESKI).

But then, at a celebratory party for the opening of his new show, Max meets another man interested in the future: a fellow war veteran and aspiring painter, a man with no family, no home and no friends. His name: Adolf Hitler (NOAH TAYLOR), and his decision to transfer his creative talents to politics, where at last he finds an outlet for his raw beliefs, sets into motion the most catastrophic period of the 20th century.

From Oscar-nominated screenwriter Menno Meyjes ("The Color Purple") comes MAX, a story of two unlikely friends facing an uncertain future and one's fateful decision to embrace a nightmare vision of evil. Deeply unsettling, defiantly humorous and ultimately, tragically moving, MAX is more historical fable than straight-ahead historical drama -- a tale that careens through art, politics, love, hope, intolerance, obsession and destructive malevolence to provide an original and intimate portrait of a major turning point in modern history.

MAX is the directorial debut of Menno Meyjes, who also wrote the screenplay. The film is produced by Andras Hamori ("Sunshine," "The Sweet Hereafter," "existenz").

"Meyjes mostly wanted Max Rothman to exist in a kind of state of timelessness - to look, sound and feel as if he could exist just as easily in the 21st century, as if his idealism and energy could be part of today's culture…"

-- © 2002 Lions Gate Films [More]

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker, Ulrich Thomsen, David Horovitch, Janet Suzman, Kevin McKidd

Director: Menno Meyjes

Director: Menno Meyjes
Screenwriter: Menno Meyjes
Producer: Andras Hamori
Composer: Dan Jones
Studio: Lions Gate Films

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Release:

May 20, 2003

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Reviews for Max

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101 - 118 (sorted by date)
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Meyjes ... has done his homework and soaked up some jazzy new revisionist theories about the origins of Nazi politics and aesthetics.

Full Review Source: L.A. Weekly | comment Comment
12/19/02
Ella Taylor
Ella Taylor
L.A. Weekly

Invigorating, provocative and audacious, it's surely the most nerve-rattling, controversial film of 2002.

Full Review Source: www.susangranger.com | comment Comment
12/17/02
Susan Granger
Susan Granger
www.susangranger.com

Para Hitler, o mundo era sua tela; e o horror, seu pincel. E Max retrata este fato com elegante abandono, numa triste constatação da realidade histórica.

Full Review Source: Cinema em Cena | comment Comment
12/13/02
Pablo Villaca
Pablo Villaca
Cinema em Cena
N/R

Click to read the article

Full Review Source: Shadows on the Wall | comment Comment
12/05/02
Rich Cline
Rich Cline
Shadows on the Wall

It's rather jarring to see a movie which contains the patronizing line, "Hitler! C'mon, let me buy you a glass of lemonade."

Full Review Source: Planet Sick-Boy | comment Comment
12/05/02
Jon Popick
Jon Popick
Planet Sick-Boy

There are ideas and feelings here that do resonate and the technique, however contrived, eventually unveils some truth.

Full Review Source: Montreal Film Journal | comment Comment
12/04/02
Kevin N. Laforest
Kevin N. Laforest
Montreal Film Journal

An intelligent and utterly compelling hypothetical question in which scholarly musings and dramatic irony come together to create a powerful, thought-provoking experience.

Full Review Source: Mark Reviews Movies | comment Comment
12/03/02
Mark Dujsik
Mark Dujsik
Mark Reviews Movies

Though everything might be literate and smart, it never took off and always seemed static.

Full Review Source: Ozus' World Movie Reviews | comment Comment
12/02/02
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Max has 'first-time director' written all over it, and the arresting, contemplative subject matter demands a more experienced filmmaker to do it justice.

Full Review Source: DustinPutman.com | comment Comment
12/01/02
Dustin Putman
Dustin Putman
DustinPutman.com

Taylor is exceptional.

Full Review Source: Filmcritic.com | comment Comment
12/01/02
Christopher Null
Christopher Null
Filmcritic.com

This movie may be to smart for mass audiences; others order immediately.

Full Review Source: Blunt Review | comment Comment
11/28/02
Emily Blunt
Emily Blunt
Blunt Review

These people have no idea how to make a movie!

Full Review Source: ToxicUniverse.com | comment Comment
11/22/02
Keith Uhlich
Keith Uhlich
ToxicUniverse.com

As visually arresting as it is controversial, 'Max' sets up a wholly credible, fictional relationship between history's worst anti-Semite and a Jewish intellectual.

Full Review Source: Compuserve | comment Comment
11/13/02
Harvey S. Karten
Harvey S. Karten
Compuserve

So this is what a rhetorical question looks like on the big screen.

Full Review Source: Slant Magazine | comment Comment
11/13/02
Ed Gonzalez
Ed Gonzalez
Slant Magazine

Any film that can be said to feature a sequence in which teddy bears are tossed into a meat grinder definitely brushes up against greatness.

Full Review Source: Film Freak Central | comment Comment
10/12/02
Bill Chambers
Bill Chambers
Film Freak Central

It's worth seeing for the intelligent, interlacing arguments between Rothman and Hitler.

Full Review Source: eye WEEKLY | comment Comment
10/02/02
Kim Linekin
Kim Linekin
eye WEEKLY

A smart, provocative drama that does the nearly impossible: It gets under the skin of a man we only know as an evil, monstrous lunatic.

Full Review Source: Boxoffice Magazine | comment Comment
09/27/02
Shlomo Schwartzberg
Shlomo Schwartzberg
Boxoffice Magazine

Meyjes ... rewards adventurous filmgoers with a speculative fiction that makes connections and provokes ideas worth considering about the emotional makeup of this tyrant.

Full Review Source: Hollywood Reporter | comment Comment
09/11/02
Kirk Honeycutt
Kirk Honeycutt
Hollywood Reporter
Top Critic Icon Top Critic
 
 
101 - 118 (sorted by date)
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Latest News for Max

April 20, 2005: Cusack and Peet Have a Favorite "Martian"
Described by The Hollywood Reporter as "a cross between E.T. and Parenthood" is the upcoming family film "The Martian Child." John Cusack ("High... More...

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