"My country was stolen from me, Sir... and I want it back."The true story about one of the most brilliant saboteurs during World War II and his battle to overcome his inner demons. REVIEWThe eponymous hero of Max Manus was one of the more notable Norwegian resistance fighters in World War II, operating out
of Oslo. After the fighting stopped he survived quietly in business until 1996. He's a figure undoubtedly still generating national pride, perhaps explaining the high praise accorded the movie from local sources. That's not to say this is a bad film by any means, but ultimately Manus' biographical wartime experiences, at least as translated to screen here, play out as something of a Boy's Own adventure, rather than a ruthlessly honest warts-and-all biopic despite the hero's final drunken introspection and occasional doubts. It's a film where the participant's have-a-go attitude and laddish enthusiasm for adventure keeps the action flowing smoothly from one escapade to another, with courage under duress, noble sacrifices, love interest and final victory almost a given.Max Manus is staged with a confidence and with assured flow by its co-directors, and this, the most expensive Norwegian production to date is highly engaging. Adding considerably to this is the performance by Aksel Hennie as the hero; Hennie makes of him a very likable character, with convincing weaknesses and belief in his own mortality - a trait considerably humanising what could easily just become a nationalistic action figure. Towards the close of the movie, peace newly restored, this introspection comes to the fore as the surviving hero ponders his own moral culpability - even if the smile breaking out at the end of Max Manus for this viewer at least is less complex by way of implication than that which concludes, say, Once Upon A Time In America.
February 5, 2010
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