Doesn't do it for me, I'm afraid.
Mean Streets (1973)
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Reviews Counted:43
Fresh:42
Rotten:1
Average Rating:8.9/10
Runtime: 1 hr 52 mins
Genre: Dramas
Synopsis: Martin Scorsese's electrifying drama tells the story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of... Martin Scorsese's electrifying drama tells the story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of New York City and nights hanging out drinking with his good friend Johnny Boy (the terrifyingly brilliant Robert De Niro), a loose cannon that can't seem to escape trouble. Charlie's extreme affability makes him the middle man between his mob-tied uncle Giovanni (Cesare Danova) and various clients, as well as between Johnny Boy and Michael (Richard Romanus), a bookie who has become fed up with Johnny Boy's constant debt dodging. As the city's San Gennaro Festival takes over the streets of Little Italy, Michael seeks revenge on Johnny Boy once and for all. MEAN STREETS is the film in which Scorsese blossomed into one of the world's most ferociously distinct visionaries, a vision which has, for better or worse, become one of the most mimicked in the history of modern cinema. While his usage of a nostalgic pop music soundtrack, long one-takes and handheld cameras, and brutally realistic performances, spawned a generation of imitators, MEAN STREETS proves that while others may try to imitate, there is only one original. MEAN STREETS is a work of sheer cinematic bravado. [More]
Starring: Robert DeNiro, Harvey Keitel, David Proval, Amy Robinson
Starring: Robert DeNiro, Harvey Keitel, David Proval, Amy Robinson, Richard Romanus, Cesare Danova, Victor Argo, George Memmoli
Director: Martin Scorsese
Director: Martin Scorsese
Producer: Jonathan Taplin
Screenwriter: Martin Scorsese, Mardik Martin
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Reviews for Mean Streets
The hilarious scene in which Charlie and Johnny Boy argue about Johnny Boy's debts in the backroom of a bar (a scene that was improvised) is alone worth the price of admission.
A tight, intense masterpiece from Scorsese, writing collaborator Mardik Martin and the iconic stars.
Scorsese gives us Catholic guilt, misguided loyalty and the urban nostalgia that would lead to such movies as Raging Bull and even New York, New York.
Perfected here are Scorsese's patented slow-motion cutaways, combination pan/tracking shots, musical tangents, and impromptu bloodbaths
The film feels authentic, the characters are true, the situation hopeless
The acting and editing have such an original, tumultuous force that the picture is completely gripping.
This film showed the world that a major talent had arrived on the scene.
Emphasizing charcaterization over plot, and exploring male camaraderie and street violence in a humorous, spontaneous, and nonjudgmental way, Scorsese's Mean Streets (his third feature) is arguably the most influential film of the 1970s.
Without exaggeration, you could make an argument for Mean Streets being the most influential film of the last fifty years.
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