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Mean Streets (1973)
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Reviews Counted:43
Fresh:42
Rotten:1
Average Rating:8.9/10
Runtime: 1 hr 52 mins
Genre: Dramas
Synopsis: Martin Scorsese's electrifying drama tells the story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of... Martin Scorsese's electrifying drama tells the story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of New York City and nights hanging out drinking with his good friend Johnny Boy (the terrifyingly brilliant Robert De Niro), a loose cannon that can't seem to escape trouble. Charlie's extreme affability makes him the middle man between his mob-tied uncle Giovanni (Cesare Danova) and various clients, as well as between Johnny Boy and Michael (Richard Romanus), a bookie who has become fed up with Johnny Boy's constant debt dodging. As the city's San Gennaro Festival takes over the streets of Little Italy, Michael seeks revenge on Johnny Boy once and for all. MEAN STREETS is the film in which Scorsese blossomed into one of the world's most ferociously distinct visionaries, a vision which has, for better or worse, become one of the most mimicked in the history of modern cinema. While his usage of a nostalgic pop music soundtrack, long one-takes and handheld cameras, and brutally realistic performances, spawned a generation of imitators, MEAN STREETS proves that while others may try to imitate, there is only one original. MEAN STREETS is a work of sheer cinematic bravado. [More]
Starring: Robert DeNiro, Harvey Keitel, David Proval, Amy Robinson
Starring: Robert DeNiro, Harvey Keitel, David Proval, Amy Robinson, Richard Romanus, Cesare Danova, Victor Argo, George Memmoli
Director: Martin Scorsese
Director: Martin Scorsese
Producer: Jonathan Taplin
Screenwriter: Martin Scorsese, Mardik Martin
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Reviews for Mean Streets
The Godfather made the mob glamorous. Mean Streets made it real. Martin Scorsese's ferocious, grimy 1973 classic is just as good as Francis Ford Coppola's masterpiece, but it shows us criminal life lower down the food chain.
A tight, intense masterpiece from Scorsese, writing collaborator Mardik Martin and the iconic stars.
The acting and editing have such an original, tumultuous force that the picture is completely gripping.
In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.
Without exaggeration, you could make an argument for Mean Streets being the most influential film of the last fifty years.
The film feels authentic, the characters are true, the situation hopeless
I contend that Mean Streets (1973) is [Scorsese's] greatest work and his most underappreciated.
...a gritty, one-of-a-kind, unromantic, down-and-dirty look at the streets of New York like no film had portrayed those streets and their people before.
Emphasizing charcaterization over plot, and exploring male camaraderie and street violence in a humorous, spontaneous, and nonjudgmental way, Scorsese's Mean Streets (his third feature) is arguably the most influential film of the 1970s.
Terrific. Top shelf talent at the top of their game, working immediately before they would change Hollywood.
A true rough diamond, Scorsese's breakthrough may be uneven, but at its heart lies fledgling genius.
Perfected here are Scorsese's patented slow-motion cutaways, combination pan/tracking shots, musical tangents, and impromptu bloodbaths
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