Shot in San Francisco, Medicine for Melancholy has a uniquely sleepy, dewy look, making our fair city look like a quiet corner of Europe.
Medicine for Melancholy (2009)
Tomatometer
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Reviews Counted:34
Fresh:30
Rotten:4
Average Rating:7.1/10
Consensus: Blessed with clever dialogue and poignant observations of class and race, Medicine For Melancholy is a promising debut for director Barry Jenkins.
Theatrical Release:Jan 30, 2009 Limited
Synopsis: The premise of MEDICINE FOR MELANCHOLY seems simple enough: a man and woman wake up together after a night of drinking, neither knowing the other’s name. Introductions are finally made, and the... The premise of MEDICINE FOR MELANCHOLY seems simple enough: a man and woman wake up together after a night of drinking, neither knowing the other’s name. Introductions are finally made, and the could-be couple spends the day traversing the city of San Francisco by foot, bike, and taxi. But first-time feature director Barry Jenkins takes this basic idea and builds, making a thoughtful, stylish film that feels at once entirely natural and well-crafted. THE DAILY SHOW’s Wyatt Cenac stars as Mycah, a black hipster, whose manner is laidback except when he is talking about matters of race. Newcomer Tracey Heggins is Jo, a black woman with a post-racial mindset who is all angles and resistance to Mycah’s charms. Their day functions as a first date, beginning with plenty of awkward silences and building to conversations about race, class, and relationships. MEDICINE FOR MELANCHOLY avoid the pitfalls of most indie, dialogue-based films and boasts a high level of style. Jenkins and his director of photography, James Laxton, have made a feature with gorgeous cinematography and a nice post-production use of desaturation, which gives the film a muted look. The high quality of the film continues with the cast. Heggins is strong as Jo, and her chemistry with Cenac deserves praise. Though Cenac is best known to date for his work as a comedian, he’s equally adept with both the comic and the dramatic moments in the film. Like BEFORE SUNRISE transplanted to aught-era San Francisco and given a political bent, MEDICINE FOR MELANCHOLY is an authentic picture of two strangers struggling to see if they can be something more. [More]
Starring: Wyatt Cenac, Tracey Heggins
Starring: Wyatt Cenac, Tracey Heggins
Director: Barry Jenkins
Director: Barry Jenkins
Screenwriter: Barry Jenkins
Producer: Justin Barber
Studio: IFC Films
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Reviews for Medicine for Melancholy
Two African-Americans together in San Francisco for a weekend trying to take a one-night stand to a more intimate level.
The film weaves an intriguing commentary on race, class and personal identity, but the trick of minimalism is to hide ideas inside sparse scenes, and Jenkins is too often balancing over-stuffed conversations with undernourished carousel rides.
Shows Jenkins to be an innovative and original voice to indie filmmaking, one certainly worth watching if he can deliver a second effort as enjoyable as this debut.
Smart, funny, and visually gorgeous, with the intimacy of a relationship drama and the resonance of a city portrait.
A hazy, nuanced and remarkably assured debut from filmmaker Barry Jenkins.
This is not a bad film by any stretch of the imagination. But there's really not enough here to remain memorable.
A visually stylish chronicle of an at-times amiable ramble through the streets of San Francisco.
Jenkins's dialogue is crisp and witty, sounding and flowing the way real people speak. But it's also shrewdly nuanced.
A tasty slice of life, but one sliced thin enough to leave one feeling a tad undernourished.
The movie's ideas float atop it like whipped cream on coffee, but the actors' chemistry makes for a pleasant, unassuming walk-and-talk.
Some clever conversation between two people who are of different social classes but find common ground among the hills of San Francisco.
Deeper, more thoughtful, and more satisfying than many low-budget first features.
Nothing if not timely, Medicine for Melancholy argues cogently against the notion of a postracial America. It’s easy to imagine how a film like this might look different in four or eight years, but it’s even easier to imagine why it wouldn’t.
Writer-director Barry Jenkins demonstrates a rare ability to communicate a state of mind through images.
May be more committed to certain of the city's un-pretty social truths than any other recent fiction film set in San Francisco...It's also maybe the most beautiful.
This stormy stranger sex gentrification romance is a kind of one day stand steamy encounter, also spotlighting hot topics confronting young black people today, especially relevant in light of the contradictions of the Obama phenomenon.
Latest News for Medicine for Melancholy
January 30, 2009:
This stormy stranger sex gentrification romance is a kind of one day stand steamy encounter, also spotlighting hot topics confronting young black people today, especially relevant in light of the contradictions of the Obama phenomenon. ![]()
More...
January 29, 2009:
Critics Consensus: Taken Is A Near Miss
This week at the movies, we've got a kidnapping plot (Taken, starring Liam Neeson and Famke Janssen); haunted teens (The Uninvited, starring Emily Browning and Elizabeth Banks);... More...
January 28, 2009:
San Francisco sit-dram answers the question: Can a one-night stand lead to love between strangers? ![]()
More...
January 18, 2009:
Trailer & Poster review ![]()
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