This meandering two-hander about a black couple hanging out after a one-night stand has its points, but indie self-indulgence and sluggishness weigh it down.
Medicine for Melancholy (2009)
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Reviews Counted:34
Fresh:30
Rotten:4
Average Rating:7.1/10
Consensus: Blessed with clever dialogue and poignant observations of class and race, Medicine For Melancholy is a promising debut for director Barry Jenkins.
Theatrical Release:Jan 30, 2009 Limited
Synopsis: The premise of MEDICINE FOR MELANCHOLY seems simple enough: a man and woman wake up together after a night of drinking, neither knowing the other’s name. Introductions are finally made, and the... The premise of MEDICINE FOR MELANCHOLY seems simple enough: a man and woman wake up together after a night of drinking, neither knowing the other’s name. Introductions are finally made, and the could-be couple spends the day traversing the city of San Francisco by foot, bike, and taxi. But first-time feature director Barry Jenkins takes this basic idea and builds, making a thoughtful, stylish film that feels at once entirely natural and well-crafted. THE DAILY SHOW’s Wyatt Cenac stars as Mycah, a black hipster, whose manner is laidback except when he is talking about matters of race. Newcomer Tracey Heggins is Jo, a black woman with a post-racial mindset who is all angles and resistance to Mycah’s charms. Their day functions as a first date, beginning with plenty of awkward silences and building to conversations about race, class, and relationships. MEDICINE FOR MELANCHOLY avoid the pitfalls of most indie, dialogue-based films and boasts a high level of style. Jenkins and his director of photography, James Laxton, have made a feature with gorgeous cinematography and a nice post-production use of desaturation, which gives the film a muted look. The high quality of the film continues with the cast. Heggins is strong as Jo, and her chemistry with Cenac deserves praise. Though Cenac is best known to date for his work as a comedian, he’s equally adept with both the comic and the dramatic moments in the film. Like BEFORE SUNRISE transplanted to aught-era San Francisco and given a political bent, MEDICINE FOR MELANCHOLY is an authentic picture of two strangers struggling to see if they can be something more. [More]
Starring: Wyatt Cenac, Tracey Heggins
Starring: Wyatt Cenac, Tracey Heggins
Director: Barry Jenkins
Director: Barry Jenkins
Screenwriter: Barry Jenkins
Producer: Justin Barber
Studio: IFC Films
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Reviews for Medicine for Melancholy
Cenac is witty and Heggins has a wary stillness, but the movie itself seems too shy to let them really engage each other.
It's pretty in all the wrong ways: pretty slight, pretty preachy and pretty affected.
Concluding on a fittingly less-than-happy note, the promising but uneven film knows what it wants to say, if not, ultimately, exactly how to say it.
It is an exciting debut, and a film that, without exaggeration or false modesty, finds interest and feeling in the world just as it is.
I'd describe it, in fact, as a film that doesn't quite work -- but the way it doesn't work is so distinctive and so interesting that it marks Jenkins as an exciting new face on the American indie scene.
Mr. Jenkins and his co-leads, Mr. Cenac and Ms. Heggins, achieve stretches of buoyancy and brio in their search for a romantic epiphany that never comes.
A genuinely heartwarming, tender and wise slice-of-life that makes for a terrific, engrossing and refreshingly unpretentious date movie.
This is not a bad film by any stretch of the imagination. But there's really not enough here to remain memorable.
A shoegazing arthouse romance marked by naturalistic performances and a commitment to the beauty, tenderness and on-tenterhooks hope of everyday reality...
A visually stylish chronicle of an at-times amiable ramble through the streets of San Francisco.
Smart, funny, and visually gorgeous, with the intimacy of a relationship drama and the resonance of a city portrait.
A tasty slice of life, but one sliced thin enough to leave one feeling a tad undernourished.
Shows Jenkins to be an innovative and original voice to indie filmmaking, one certainly worth watching if he can deliver a second effort as enjoyable as this debut.
Jenkins's dialogue is crisp and witty, sounding and flowing the way real people speak. But it's also shrewdly nuanced.
Two African-Americans together in San Francisco for a weekend trying to take a one-night stand to a more intimate level.
Some clever conversation between two people who are of different social classes but find common ground among the hills of San Francisco.
The movie's ideas float atop it like whipped cream on coffee, but the actors' chemistry makes for a pleasant, unassuming walk-and-talk.
Shot in San Francisco, Medicine for Melancholy has a uniquely sleepy, dewy look, making our fair city look like a quiet corner of Europe.
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