A thoughtful, often poignant study of modern urban life and race.
Medicine for Melancholy (2009)
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Reviews Counted:34
Fresh:30
Rotten:4
Average Rating:7.1/10
Consensus: Blessed with clever dialogue and poignant observations of class and race, Medicine For Melancholy is a promising debut for director Barry Jenkins.
Theatrical Release:Jan 30, 2009 Limited
Synopsis: The premise of MEDICINE FOR MELANCHOLY seems simple enough: a man and woman wake up together after a night of drinking, neither knowing the other’s name. Introductions are finally made, and the... The premise of MEDICINE FOR MELANCHOLY seems simple enough: a man and woman wake up together after a night of drinking, neither knowing the other’s name. Introductions are finally made, and the could-be couple spends the day traversing the city of San Francisco by foot, bike, and taxi. But first-time feature director Barry Jenkins takes this basic idea and builds, making a thoughtful, stylish film that feels at once entirely natural and well-crafted. THE DAILY SHOW’s Wyatt Cenac stars as Mycah, a black hipster, whose manner is laidback except when he is talking about matters of race. Newcomer Tracey Heggins is Jo, a black woman with a post-racial mindset who is all angles and resistance to Mycah’s charms. Their day functions as a first date, beginning with plenty of awkward silences and building to conversations about race, class, and relationships. MEDICINE FOR MELANCHOLY avoid the pitfalls of most indie, dialogue-based films and boasts a high level of style. Jenkins and his director of photography, James Laxton, have made a feature with gorgeous cinematography and a nice post-production use of desaturation, which gives the film a muted look. The high quality of the film continues with the cast. Heggins is strong as Jo, and her chemistry with Cenac deserves praise. Though Cenac is best known to date for his work as a comedian, he’s equally adept with both the comic and the dramatic moments in the film. Like BEFORE SUNRISE transplanted to aught-era San Francisco and given a political bent, MEDICINE FOR MELANCHOLY is an authentic picture of two strangers struggling to see if they can be something more. [More]
Starring: Wyatt Cenac, Tracey Heggins
Starring: Wyatt Cenac, Tracey Heggins
Director: Barry Jenkins
Director: Barry Jenkins
Screenwriter: Barry Jenkins
Producer: Justin Barber
Studio: IFC Films
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Reviews for Medicine for Melancholy
It's pretty in all the wrong ways: pretty slight, pretty preachy and pretty affected.
A visually stylish chronicle of an at-times amiable ramble through the streets of San Francisco.
The movie's ideas float atop it like whipped cream on coffee, but the actors' chemistry makes for a pleasant, unassuming walk-and-talk.
It's an unassuming little piffle that wafts away while you're watching it.
Deeper, more thoughtful, and more satisfying than many low-budget first features.
Shot in San Francisco, Medicine for Melancholy has a uniquely sleepy, dewy look, making our fair city look like a quiet corner of Europe.
Shows Jenkins to be an innovative and original voice to indie filmmaking, one certainly worth watching if he can deliver a second effort as enjoyable as this debut.
Some clever conversation between two people who are of different social classes but find common ground among the hills of San Francisco.
This meandering two-hander about a black couple hanging out after a one-night stand has its points, but indie self-indulgence and sluggishness weigh it down.
Cenac is witty and Heggins has a wary stillness, but the movie itself seems too shy to let them really engage each other.
Smart, funny, and visually gorgeous, with the intimacy of a relationship drama and the resonance of a city portrait.
Mr. Jenkins and his co-leads, Mr. Cenac and Ms. Heggins, achieve stretches of buoyancy and brio in their search for a romantic epiphany that never comes.
Nothing momentous happens -- nor do we expect it to -- but it is fun watching the two 20-somethings playing off each other.
It is an exciting debut, and a film that, without exaggeration or false modesty, finds interest and feeling in the world just as it is.
A candid commentary on the state of the battle-of-the-sexes designed for this post-racial age of strangers with benefits.
This stormy stranger sex gentrification romance is a kind of one day stand steamy encounter, also spotlighting hot topics confronting young black people today, especially relevant in light of the contradictions of the Obama phenomenon.
The film is more ambient than my description will convey, and it doesn’t feel scripted or directed in as much as it feels naturally funny and relaxed.
Latest News for Medicine for Melancholy
January 30, 2009:
This stormy stranger sex gentrification romance is a kind of one day stand steamy encounter, also spotlighting hot topics confronting young black people today, especially relevant in light of the contradictions of the Obama phenomenon. ![]()
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January 29, 2009:
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January 28, 2009:
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January 18, 2009:
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| Tomatometer Percentage | Movie |
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| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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