Jellyfish (2008)
Tomatometer
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Reviews Counted:54
Fresh:47
Rotten:7
Average Rating:7.2/10
Consensus: Lyrical, well-crafted and inventive, Jellyfish smartly mixes comedy, drama and magic realism.
Theatrical Release:Apr 4, 2008 Limited
Synopsis: Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling... Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling to make ends meet, living in an apartment with a leaky ceiling and working for a wedding caterer, where she gets to serve happy people gathered together to celebrate the institution of marriage. One day on the beach, she sees a little redhaired girl (Nikol Leidman) suddenly walk out of the ocean, and Batya decides to look after the silent child when the police won't help find her parents. Keren (Noa Knoller) is a young woman who has just gotten married to Michael (Gera Adler), but she breaks her leg at the reception after being stuck in the bathroom, forcing them to cancel their Caribbean vacation and instead spend their honeymoon at an Israeli seaside hotel, where her husband starts becoming friendly with an older woman in the top-floor suite. And Joy (Ma-nenita De Latorre) is a Filipino guest worker who has come to Tel Aviv seeking employment as a caregiver to make money to send back to her son in the Philippines. Although she intended to take care of babies, she is instead assigned to elderly women, one of whom dies immediately and another who is bullheaded and outwardly nasty to her. As the three protagonists try to make their way in the world, their lives intersect in unusual and fascinating ways. JELLYFISH, directed by real-life partners and writers Etgar Keret and Shira Geffen and written by Geffen, is a touching, compelling drama about troubled families, parents and children, and loneliness. Instead of making any grand statements, it focuses on the little things in life that can make the difference between being happy and being miserable, keeping hope within grasp. Keret and Geffen, who also play small parts in the film, use water as a metaphor throughout the story: just as every ocean has its jellyfish, life can often sting, but it also can be beautiful. [More]
Starring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller
Starring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller, Ma-nenita De Latorre, Zharira Charifai
Director: Shira Geffen, Etgar Keret
Director: Shira Geffen, Etgar Keret
Screenwriter: Shira Geffen
Producer: Yael Fogiel, Laetitia Gonzalez, Amir Harel, Ayelet Kit
Composer: Christopher Bowen, Gregoire Hetzel
Studio: Zeitgeist Films
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Reviews for Jellyfish
| Tomatometer | Critic | Review | Category |
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Explores modern-day loneliness and alienation in Tel Aviv. Full Review |
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A large number of idiosyncratic and deadpan supporting characters provides amusement around dispirited women floating through sweetly satisfying meanderings. Full Review |
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Click to read the article Full Review |
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A film that is fresh in both style and story. Full Review |
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There are sharply observed moments of social intercourse and a nice current of realistic honesty. But when I ask myself what it is that these women in the movie want, I come up with bubkes. Full Review |
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...the contrivances ... allow the filmmakers to tell the stories of a number of different characters who would otherwise have no business being in the same film. Full Review |
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The directors infuse the film with a short story’s spare dialogue and tight pacing -- the running time is all of 76 minutes -- while subtle visual motifs and judicious moments of magical realism demonstrate cinema at its most elegant. Full Review |
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Although its title might have some assuming this is a cheap remake of a bad horror B movie from the '50s, Jellyfish is actually quite a reflective and pensive picture. Full Review |
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Jellyfish, with its pervasive sense of mysticism, is anything but standard, predictable storytelling. What is it exactly? Well, you might as well ask a jellyfish. Full Review |
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Thematically, it's extremely precise, and one of its most compelling themes is the failure, or uselessness, of language. Full Review |
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Although the "hyperlink" drama that features a lot of interconnecting storylines has become a common staple of the arthouse, "Jellyfish" manages to be a weird and memorable creature all its own. Full Review |
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It's a wisp of a thing, but it's a lovely wisp. Full Review |
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These interlocking stories don’t add up to a conventional narrative. It helps to think of Jellyfish as a tone poem. And like the invertebrate that is its namesake, the film is by turns beautiful, stinging and rather shapeless. Full Review |
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Light on its feet, deeply human, and fresh in style, this French-Israeli co-production serves up an engaging tale about a group of women struggling with daily life in contemporary Tel Aviv. Full Review |
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Most of the first hour passes without much more forward motion than its namesake. But in the corners and niches of that slow development, we get to know a handful of people, crisply drawn in fast sketches. Full Review |
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Shira Geffen's script is a poignant intersection of the regrettable past and the transitions that must occur to move on. In this 60th-year celebration of Israel, this film feels like the whole country. Full Review |
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It is a restful film, and one full of wise observations. Full Review |
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What gives the film a haunting and sometimes droll poetic unity is the way co-directors Etgar Keret and Shira Geffen trace all their characters moving in a jellyfish-like fashion. Full Review |
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A little piece of cinematic poetry. Full Review |
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Provides a diverting portrait of modern-day Israel, as the filmmakers eschew history, politics and religion to focus instead on more intimate and universal issues of fate, loss and the longing to connect. Full Review |
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