Meet Me In St. Louis - Movie Reviews - Rotten Tomatoes

Meet Me In St. Louis Reviews

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Super Reviewer
½ May 27, 2010
Really good music but the acting and plot was lacking something .
Super Reviewer
December 24, 2010
Childhood classic that gets better with age.
Super Reviewer
September 5, 2010
A good musical with Garland, it's very sentimental and romantic and dramatic. I liked it, and if you like the combination of musical, romance, and drama, you'll like this movie too.
Mr Awesome
Super Reviewer
April 2, 2010
Delightful film about the life of a family living in St. Louis around the time of the 1904 World's Fair. It's more noteable for it's famous songs (the title song appears no less than 100 times in the film) than for the story, which focuses on the older girls romantic relationships through the various holidays and parties throughout the year. The director, Vincente Minnelli, as in another of his period piece musicals "Gigi", is more interested in giving the audience a flavor of daily life and uncovering the quaint and long-forgotten customs of long ago (the children play pranks and set fires in the streets at halloween, rather than ask neighbors for candy). There's alot of charm in this film that makes one long for the old time-y family life. Meet me in St. Louie and I'll be your tootsi wootsi.
Super Reviewer
March 28, 2006
Judy Garland singing Have Yourself a Merry Little Christmas, one of the most touchingly beautiful film scenes ever. ESTHER SMITH (Judy Garland): "I can't believe it. Right here where we live - right here in St. Louis."
Super Reviewer
September 20, 2007
It may not have the best songs, it may not have any dancing but this is still the greatest musical film ever made.
Super Reviewer
May 28, 2007
Charming musical with infectious songs. You go, Judy Garland.
Super Reviewer
½ July 9, 2007
okay, so maybe i only tolerate musicals for the most part...who breaks out into song or dance whenere the moment is right? maybe we should, it might be good for us...i don't really know. it's not a bad movie, no, with lots of swell sets and numbers...the chick flick before chick flick was defined, eh? and chicks gotta go to the movie, too, right? right? well, why not?
Super Reviewer
March 29, 2007
charming slice of americana
Super Reviewer
February 5, 2007
A typical musical. I actually performed in the play version - not my favorite script in the world.

Certainly didn't rock or change the face of musical cinema.
Super Reviewer
½ August 24, 2006
Super Reviewer
May 6, 2006
May finally be my favorite Garland movie. She absolutely could sing and act on the superstar level. I'm not sure people truly understand that. It's more like some kind of given you heard somewhere: "Yes, right, Garland could sing and dance." I mean to tell you, flixsters, she could REALLY sing AND dance AND act--her most overlooked attribute. I gotta say, sincerely, that she's actually been woefully underappreciated. Try watching some of those B&W flicks with her and Mickey Rooney--another underappreciated true talent. Garland lights up the screen. You'll think you're watching color. What an amazingly riveting screen presence. 07/04/06: It is interesting to thiink that they considered cutting the entire Halloween sequence because it seemed peripheral to the main story or made the movie too long. This sequence is wonderful for two reasons. Not only does it give us now, 62 years later, a nostalgic look at Halloween traditions of a bygone era, but it serves masterfully to push forward the romance angle of the film. The alleged brutality of Tom Drake not only causes Garland to confront him, but that confrontation in turn has the purposeful effect of driving Garland into Drake's arms, cementing their love. I never ever get tired of watching this great movie. Have to push it up to a full five stars.
Super Reviewer
½ February 1, 2010
Classic songs and some well-filmed sequences give this film the weight needed to overcome some superficial plot turns and an annoying little sister character. Have yourself a Merry little Christmas, indeed!
Super Reviewer
February 28, 2013
Yes, it is chalk full of those rubbishy sentimental numbers that haunt many a musical from this era but Meet Me in St. Louis maintains its charm thanks to its likeable cast and explorations of true emotions.
Ryan M
Super Reviewer
½ December 25, 2010

Underneath "Meet Me in St. Louis" lies some of the best cinematic cheese you shall ever encounter. This classic musical is cheesy, sappy, and often times corny. Perhaps that's the point of aging, and what makes it still work now is the fact that it's still charming. If a film is charming once, I do not believe it will ever loose its appeal. Perhaps age comes to collect once in a while, but this is one of those films that fails to age as much as it should. "Meet Me in St. Louis" may not improve much as time goes on, but it doesn't get worse either. Long story short, this film is good, but not great. "Meet Me in St. Louis" is recognized for being upbeat and cheery for long periods of time. Never during the film did I feel the smallest bit of sadness that the characters did, although that does not mean that I was smiling at all times. However, I did smile a whole lot. This film is entertaining, pleasing, and amusing. Perhaps that is why people seem to enjoy it so much. And I understand why they would: it's a well made production. It might not be as good in 2010 as it was in 1944, but it has aged quite well in my opinion. If you aren't a fan of musicals to begin with, then I advise you to avoid it. This is not the best musicals out there, and I have seen better. This will NOT change your opinion on the film genre, although for a fellow such as me who enjoys good music once in a while, it was sort of refreshing. It's a treat; it really is. So if you're up for it, then please proceed. "Meet Me in St. Louis", while flawed, is worth your while. After all, who doesn't love a good classic film to get you in a good mood? I know that I do. I find these films interesting, although "Meet Me in St. Louis" was just one step down from true cinematic art. It's not meant for pure admiration, but it is made with considerable skill. Well...considerable enough skill for me to admire it on some given level. And that counts for something, right?

"Meet Me in St. Louis" is part musical, part drama, and part romance. The musical part means that there will be parts where very little makes sense. However, the plot is surprisingly woven together with craft, making the experience an easy one devoid of true burden. The story itself is a bit too upbeat for me, but it's well-written as far as musicals go. Not the entire story is told through the music this time around. So "Meet Me in St. Louis" is about a family who has a lot going on. One of the eldest daughters has fallen in love with a neighbor, the father announces that the family must move to New York for work, and the youngest is getting into all sorts of trouble. "Meet Me in St. Louis" goes through an entire year of seasons, showing the exploits of the characters contained within each one. The plot is fairly simplistic, although that doesn't mean it's masterful. The screen-play is well-written on its own, but the story doesn't exactly shout "classic". Nevertheless, the simplicity of the plot seems to fit in quite well with the happy mood of the film, and in the end it pieces together well enough to win me over. I found myself entertained for good periods of time, although in all honesty there were moments of boredom. None the less, I believe this is good filmmaking. It's an honest film; or at least one that wants to be. It should appeal to most people, unless you can't get past the fact that there's a lot of sap in this old Oak.

The performances are all-around quite good, and I think it's safe to say that nobody is horrible. Judy Garland is good in the leading role, although I don't know if it's anything higher or lesser than "good". There's also something quite charming about the performance of young Margaret O'Brien. Why wouldn't there be? Some may call her simply "cute", although I see fiery talent in this young lass. It's easy to miss that aspect. Tom Drake is the only actor who I think deserves any "major" awards for his efforts, since he actually tries REALLY hard, so it would seem. And he succeeds on his part in being a part of "Meet Me in St. Louis"; and by "part", I of course hint at a good one. If I had a complaint about the cast though, it would be that some of them aren't THAT good at singing. Luckily, this isn't quite the all-out musical one would expect. There's not a whole lot of musical numbers compared to other "musicals", although perhaps I would have liked a bit more; that is if more could have been supplied to begin with.

Most of the awards that "Meet Me in St. Louis" got were very well deserved. One of these awards was for "Best Cinematography", and I think I will address that first. I noticed up front how stunning this film looked for its time. It was in color, and the camera angles were actually complex for the 40's. That's not to downgrade the good old 40's, but it's to say that not everything had the gift of looking so damn good. The musical numbers in the film are mostly decent, although I didn't find them to be anything astounding. They weren't really "catchy" for the most part, although the few songs that did appeal to me tended to stick with me for quite some time. The film tells its story not through music, but through actual narrative. This is not the kind of musical that you may think it is, and that might be all the more reason to see it or not see it. You will most likely come out of it feeling the same way as you did when you went in. And that could either be a good thing or a bad thing. I won't be the one to judge. But before YOU judge this film, see it. I would like to discuss it with at least one more person. It feels as if it's one of those films that needs to be seen, discussed, and even criticized. Perhaps others will not agree with me when I say that it's purely pleasure.

It wouldn't hurt to give this film a try. I say go for it, especially if you can appreciate a good film. This is, indefinitely, a well-made production. Not only is it well produced, but it's also well directed. Director Vincente Minnelli is smart about his directorial choices, and in turn he makes a pretty smart movie. "Meet Me in St. Louis" is not perfect, and it's not something that I could watch over-and-over-again, but it's good enough to earn its stripes. I don't know whether to call it art or purely entertainment. Perhaps it is art. It has been said to be so by many film historians and critics alike. But I have my own opinion, and I regard this film as neither a classic nor a triumph. But it's good. And I say that with utmost honesty. If you like extremely upbeat stuff, then this is Heaven for you. But if you're like me and you want something a bit more in your tea, then it's still worth it, but you may not love it. I do not stand alone against the masses. I have established that. But...I still regard this as solid filmmaking. It's just not wonderful. And I will leave things at that.
Super Reviewer
½ August 4, 2006
A good classic movie that makes you feel good inside.
Super Reviewer
January 24, 2011
one of my all time judy garland!!
Super Reviewer
½ May 21, 2007
Judy Garland shines, but Margaret O'Brien steals the show.
Super Reviewer
½ August 29, 2008
I've been meaning to watch this for ages but for some reason kept putting it off everytime I had the chance to. Maybe I wasn't expecting much of it but damn was I wrong!
Of course it's a classic of it's genre and almost flawless. Today it may seem a bit sugary and sweet but it is still just so delightful! Garland was great and so are the songs, most notably "Have Yourself a Merry Little Christmas" and "The Trolley Song" (which I haven't been able to stop singing for 2 days now!). Got to mention Margaret O'Brien also as the death fixated Tootie whole stole every scene she was in.
August 8, 2014
The musicals that were released in the three quarters of the 20th century are commonly grand by the scale of the said adjective in their performances/talents of doing the number. But they had the challenge of keeping that energy constant without breaking the flat line to go down. The number's the source of energy of a musical to bring that bar up, while the substance of the break between the previous and the next number sometimes can bring it down when it's becoming a little somewhat bland. But the reason behind that is so that the stars can rest and restore their singing energy to have enough to lift the bar back up to the level of a film with an A rating.

"Meet Me in St. Louis" has a beauty in its story and heart with few good numbers that sticks to that grandness. While the substance between those numbers may be what I was just went over, this musical managed to receive a rating with a letter grade of the A by its beauty and some grand. (A-)

My reason watching this was that it stars Judy Garland sometime after "The Wizard of Oz." This is the first film I've saw of her outside of that Dorothy costume, which made this a compelling musical to see if you haven't seen any other Garland musicals.

(Full review coming soon)
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