The comic side isn’t really that comic.
Melinda and Melinda (2005)
Tomatometer
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Reviews Counted:150
Fresh:80
Rotten:70
Average Rating:5.8/10
Consensus: Woody Allen's uneven Melinda and Melinda fails to find neither comedy nor pathos in what seems like a rehash of his previous themes.
Rated: PG-13 [See Full Rating] for adult situations involving sexuality, and some substance material.
Runtime: 1 hr 40 mins
Genre: Dramas
Theatrical Release:Mar 18, 2005 Limited
Box Office: $3,727,614
Synopsis: Woody Allen mixes the tragic with the comic in MELINDA AND MELINDA, a delightful, intelligent look at two versions of the same story. After hearing a tale about a quirky woman who walks in... Woody Allen mixes the tragic with the comic in MELINDA AND MELINDA, a delightful, intelligent look at two versions of the same story. After hearing a tale about a quirky woman who walks in unexpectedly on a dinner party in an apartment in New York City, Sy (Wallace Shawn) expands it into a romantic comedy, while Max (Larry Pine) turns it into an urban tragedy. Allen intercuts between the two retellings, intermingling cause and effect, love and romance, failure and success, as Melinda creates havoc in both fictional worlds. Each story has its own cast: the comedy features Will Ferrell, Amanda Peet, and Josh Brolin; the tragedy stars Chloe Sevigny, Jonny Lee Miller, and Chiwetel Ejiofor. Radha Mitchell is the only repeat actor, playing both Melindas, and she does a tremendous job. Interestingly, the comic section is not a straight laughfest, like Allen's SLEEPERS, ANNIE HALL, or BULLETS OVER BROADWAY, and the more serious part is not nearly as dour as INTERIORS or ANOTHER WOMAN. Instead, Allen, who has been criticized by critics and fans alike for not making more funny films, has created two parallel universes that each combines aspects of comedy and tragedy, resulting in a wonderful, insightful drama. [More]
Starring: Wallace Shawn, Larry Pine, Radha Mitchell, Jonny Lee Miller
Starring: Wallace Shawn, Larry Pine, Radha Mitchell, Jonny Lee Miller, Chloë Sevigny, Will Ferrell, Chjwetel Ejiofor, Amanda Peet, Steve Carell, Shalom Harlow, Vanessa Shaw, Josh Brolin
Director: Woody Allen
Director: Woody Allen
Screenwriter: Andy Borowitz, Woody Allen
Studio: Fox Searchlight Pictures
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Reviews for Melinda and Melinda
Woody Allen does it again: one more unfunny, terrifically out-of-touch comedy set in an almost unrecognizable upper-class New York, pristine and shiny.
Will Ferrell always seemed more likely to work with Woody Woodpecker than Woody Allen, but the two comic forces unite as a surprisingly perfect match
...terribly slight and a little bitter; like one of Faulkner’s dashed-off stories for money.
It's middle-rung Woody, but compared to such dismal efforts as "Hollywood Ending" and "Anything Else," the movie is a godsend.
As a fan of professional athletes ... Woody Allen has seen plenty of players who hung around past their prime. Too bad he didn't take the hint.
The tragedy portions confront the audience with awful proof of just how tedious the filmmaker has become, while the comedic version offers fleeting moments of escape and Melinda and Melinda's only glimpses of how real people live and love.
One story, two versions, each from Woody Allen, so you know you're in for it.
It's impossible to empathise because the circumstances are so ridiculously contrived.
Allen presents the side-by-side stories as if to compare the comic and tragic views of experience, and it might work but for the fact that the two [playwrights] come up with dissimilar plots featuring different characters played mostly by different actors
Allen lately has grown tired of complex characters and inventive actors to play them. He appears to be making movies because that's what he's always done, but the love and the ideas and the zip are essentially gone.
Instead of two half-hearted resolutions to Melinda's dilemmas, I would have preferred one fulfilling one.
This story jolts to an end as suddenly as if Allen's camera ran out of film.
I couldn't buy that two supposedly sophisticated theater people could be so simpleminded about what defines comedy and tragedy. I also couldn't believe in most of the characters, including either version of Melinda.
A movie about the symbiosis of the filmmaker and the audience, who are required to conspire in the creation of an imaginary world.
Ferrell, Mitchell and Ejiofor are all superfine, but the whole cast acts up admirably. And Allen's writing is as good and sharp as anything he has done recently.
This is closer to an Allen comeback than anything else he's made recently.
Latest News for Melinda and Melinda
April 25, 2005:
Radha Mitchell to Climb the "Silent Hill" for TriStar Pictures
More...
April 20, 2005:
Cusack and Peet Have a Favorite "Martian"
Described by The Hollywood Reporter as "a cross between E.T. and Parenthood" is the upcoming family film "The Martian Child." John Cusack ("High... More...
April 01, 2005:
Steve Carell to "Get Smart"?
Andrew Weil of ComingSoon.net had a brief chat with funnyman Steve Carell while visiting the set of "The 40-Year-Old Virgin," and here's what the actor had to say... More...
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
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| 52% 52% | The Taking of Pelham 1… |
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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