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Memoirs of a Geisha (2005)
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Reviews Counted:155
Fresh:54
Rotten:101
Average Rating:5.4/10
Consensus: Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera.
Runtime: 2 hrs 25 mins
Genre: Romance, Theatrical Release, Based On A Novel
Theatrical Release:Dec 9, 2005 Limited
Box Office: $57,010,853
Synopsis: Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese... Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese fishing village in 1929, where two sisters, Chiyo and Satsu, are sold by their troubled father to people who place Chiyo in a classy geisha house known as an okiya in Gion and Satsu in a much more vulgar and dangerous district. Chiyo becomes a maid to Hatsumomo, a cold, controlling, and calculating geisha who is instantly jealous of Chiyo's unusual, beautiful eyes and childish innocence. Chiyo is befriended by Pumpkin, another maid at the okiya, but the two are soon driven apart. Chiyo is shown compassion by the Chairman and another, more successful geisha, Mameha, who takes her under her wing as her "little sister," furthering the battle between Chiyo, now called Sayuri, and Hatsumomo. As Sayuri is trained in the art of being a geisha, learning how to walk, talk, dance, and serve (up to a point) in order to please and honor her distinguished male clients, World War II looms on the horizon, threatening to upend Japan and its old ways. MEMOIRS OF A GEISHA is a lush, sweeping historical and romantic epic, featuring gorgeous period costumes, primarily the exquisite kimono worn by the geisha. Ziyi Zhang (HOUSE OF FLYING DAGGERS) is outstanding as Sayuri, who stands up to the oppressive Hatsumomo (the effervescent Gong Li), while Michelle Yeoh, who starred with Zhang in CROUCHING TIGER, HIDDEN DRAGON, is splendid as the wise and elegant Mameha. Ken Watanabe (THE LAST SAMURAI), Koji Yakusho (SHALL WE DANCE?), and Cary-Hiroyuki Tagawa (ELEKTRA) are among the men who take an interest in Sayuri, who is continually faced with difficult choices that will shape her destiny, just as Japan's destiny is changing shape with the coming of the West. John Williams's soaring score is enhanced by solos from virtuosos Yo-Yo Ma and Itzhak Perlman. [More]
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Koji Yakusho, Mako
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Robin Swicord, Doug Wright
Producer: Steven Spielberg, Roger Birnbaum, Lucy Fisher, Douglas Wick
Composer: John Williams
Studio: Columbia Pictures
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Reviews for Memoirs of a Geisha
Cinematographer Dione Beebe ... fills the screen with lavish images that constantly amaze the senses.
The subject remained interesting enough to this provincial American to accept and ultimately enjoy the film’s well-worn romanticism, even with its resignedly tired happy ending.
Marshall's approach is simultaneously accessible and exotic, a breathtaking introduction that exposes without spoiling a world of carefully guarded mystery.
The greatest achievement of author Golden and director Marshall is their delicate capturing of the viciousness of women among women.
Rutinaria adaptación de un best-seller sobre temática exótica, con lujos de fotografía, vestuario, dirección de arte y hasta música que no disimulan un argumento cursi y previsible.
Stunning to look at, Memoirs of a Geisha is worth seeing for the lush visuals alone. The accents and culture clashes may grate, but the insight into this world, where men can be brought to their knees with a single glance, is mesmerising.
Marshall's film is plucked from the era it represents, the 1930's, and shoved into our cinema schedules in the hopes of earning its creator another slice of awards success.
Gorgeous to look at but curiously uninvolving and occasionally irritating, this is ultimately something of a disappointment despite strong performances.
Even though the novel is one of my favorites; the movie did not leave me disappointed. It left me wanting more, but I didn't walk out dissatisfied with what I was given.
Always pleasant to watch even as the plot bites off more than it can chew.
Like the dolled-up women, the film is pleasing to the eyes and inscrutable. The mystery, though, is tedious rather than captivating.
Geisha offers a colorful glimpse that is as alien to most Western audiences as the dark side of the moon.
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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