For all its vagueness, the story is never less than visually exquisite ... and aurally appealing.
Memoirs of a Geisha (2005)
Tomatometer
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Reviews Counted:155
Fresh:54
Rotten:101
Average Rating:5.4/10
Consensus: Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera.
Runtime: 2 hrs 25 mins
Genre: Romance, Theatrical Release, Based On A Novel
Theatrical Release:Dec 9, 2005 Limited
Box Office: $57,010,853
Synopsis: Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese... Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese fishing village in 1929, where two sisters, Chiyo and Satsu, are sold by their troubled father to people who place Chiyo in a classy geisha house known as an okiya in Gion and Satsu in a much more vulgar and dangerous district. Chiyo becomes a maid to Hatsumomo, a cold, controlling, and calculating geisha who is instantly jealous of Chiyo's unusual, beautiful eyes and childish innocence. Chiyo is befriended by Pumpkin, another maid at the okiya, but the two are soon driven apart. Chiyo is shown compassion by the Chairman and another, more successful geisha, Mameha, who takes her under her wing as her "little sister," furthering the battle between Chiyo, now called Sayuri, and Hatsumomo. As Sayuri is trained in the art of being a geisha, learning how to walk, talk, dance, and serve (up to a point) in order to please and honor her distinguished male clients, World War II looms on the horizon, threatening to upend Japan and its old ways. MEMOIRS OF A GEISHA is a lush, sweeping historical and romantic epic, featuring gorgeous period costumes, primarily the exquisite kimono worn by the geisha. Ziyi Zhang (HOUSE OF FLYING DAGGERS) is outstanding as Sayuri, who stands up to the oppressive Hatsumomo (the effervescent Gong Li), while Michelle Yeoh, who starred with Zhang in CROUCHING TIGER, HIDDEN DRAGON, is splendid as the wise and elegant Mameha. Ken Watanabe (THE LAST SAMURAI), Koji Yakusho (SHALL WE DANCE?), and Cary-Hiroyuki Tagawa (ELEKTRA) are among the men who take an interest in Sayuri, who is continually faced with difficult choices that will shape her destiny, just as Japan's destiny is changing shape with the coming of the West. John Williams's soaring score is enhanced by solos from virtuosos Yo-Yo Ma and Itzhak Perlman. [More]
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Koji Yakusho, Mako
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Robin Swicord, Doug Wright
Producer: Steven Spielberg, Roger Birnbaum, Lucy Fisher, Douglas Wick
Composer: John Williams
Studio: Columbia Pictures
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Reviews for Memoirs of a Geisha
Unlike the geisha, this adaptation does wear its heart on its sleeve, but a fine cast, including the regal Michelle Yeoh, create a picture of composure.
Sayuri's geisha training plays out in formulaic montages, like The Karate Kid in kimonos. And the cast is allowed to lapse into theatrics that would shame Lillian Gish.
Memoirs of a Geisha, a dramatic miss, is nonetheless worth seeing for the visual feast it provides.
It's hard to get in the film more of a sense than merely skimming the surface.
...a sumptuous visual feast that shouldn't be confused with the real thing, but... a fascinating introduction to a part of Japanese culture.
... a movie that delights the eye even as it lulls the mind. And the heart.
Trimming 20 to 30 minutes of material not involving the Chairman would have considerably tightened the romantic angle and strengthened the entire film.
[T]he movie works off its trio of delicious star performances, its sumptuous production values, its sprawling sets of old Kyoto, its sweeping John Williams score and haunting cello solos by Yo-Yo Ma.
On the surface, everything looks great, but look just below, and it all falls apart.
[A] beautiful and lush but thematically flawed and even disturbing portrait of a prisoner who adopts the reality of her captors and of a love stunted by captivity.
For a while, you're waiting for Memoirs of a Geisha to start. Then you can't wait for it to end.
The clothes in Memoirs of a Geisha are pretty, the women are pretty, the snowstorms are pretty, and the trees are pretty (there's a bush that is the Catherine Zeta-Jones of shrubbery). But the story? Pretty dull.
Shot for shot, Memoirs of a Geisha is one of the most beautiful movies in years, with due credit to Don Beebe's widescreen camera work, John Myhre's meticulous production design and Colleen Atwood's opulent costumes.
Meticulously produced and detailed, Geisha is a feast for the eyes, but icy to the touch.
I was disappointed this wasn't as captivating as the book. I was blown away by the trailer, but the movie doesn't live up to that dramatic promise.
If I wanted the story read to me, I would have bought the book on tape.
Latest News for Memoirs of a Geisha
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September 13, 2006:
Yeoh Joins "True North" and "Babylon A.D."
When we last saw Michelle Yeoh on the big screen, she was teaching Zhang Ziyi the finer points of how to stop a man in his tracks with a blink of the eyes in "Memoirs of a... More...
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