Films set in different countries can teach us so much about other cultures. For example, did you know that Memoirs of a Geisha is Japanese for 'Sominex'?
Memoirs of a Geisha (2005)
Tomatometer
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Reviews Counted:155
Fresh:54
Rotten:101
Average Rating:5.4/10
Consensus: Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera.
Runtime: 2 hrs 25 mins
Genre: Based On A Novel, Romance, Theatrical Release
Theatrical Release:Dec 9, 2005 Limited
Box Office: $57,010,853
Synopsis: Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese... Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese fishing village in 1929, where two sisters, Chiyo and Satsu, are sold by their troubled father to people who place Chiyo in a classy geisha house known as an okiya in Gion and Satsu in a much more vulgar and dangerous district. Chiyo becomes a maid to Hatsumomo, a cold, controlling, and calculating geisha who is instantly jealous of Chiyo's unusual, beautiful eyes and childish innocence. Chiyo is befriended by Pumpkin, another maid at the okiya, but the two are soon driven apart. Chiyo is shown compassion by the Chairman and another, more successful geisha, Mameha, who takes her under her wing as her "little sister," furthering the battle between Chiyo, now called Sayuri, and Hatsumomo. As Sayuri is trained in the art of being a geisha, learning how to walk, talk, dance, and serve (up to a point) in order to please and honor her distinguished male clients, World War II looms on the horizon, threatening to upend Japan and its old ways. MEMOIRS OF A GEISHA is a lush, sweeping historical and romantic epic, featuring gorgeous period costumes, primarily the exquisite kimono worn by the geisha. Ziyi Zhang (HOUSE OF FLYING DAGGERS) is outstanding as Sayuri, who stands up to the oppressive Hatsumomo (the effervescent Gong Li), while Michelle Yeoh, who starred with Zhang in CROUCHING TIGER, HIDDEN DRAGON, is splendid as the wise and elegant Mameha. Ken Watanabe (THE LAST SAMURAI), Koji Yakusho (SHALL WE DANCE?), and Cary-Hiroyuki Tagawa (ELEKTRA) are among the men who take an interest in Sayuri, who is continually faced with difficult choices that will shape her destiny, just as Japan's destiny is changing shape with the coming of the West. John Williams's soaring score is enhanced by solos from virtuosos Yo-Yo Ma and Itzhak Perlman. [More]
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Koji Yakusho, Mako
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Robin Swicord, Doug Wright
Producer: Steven Spielberg, Roger Birnbaum, Lucy Fisher, Douglas Wick
Composer: John Williams
Studio: Columbia Pictures
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Reviews for Memoirs of a Geisha
[G]ives you a real feeling of what it must have been like in old Japan, especially with all the pretty paper lanterns hanging around, and the beautiful kimonos the girls all wear.
You've always got something to look at -- whether its Sayuri's exquisitely painted face or the perfect twirl of a gorgeously flowered umbrella. But the storytelling is soap-opera banal.
I object to the movie not on sociological grounds but because I suspect a real geisha house floated on currents deeper and more subtle than the broad melodrama on display here.
...the picture mistakes opulence for importance. It's like a geisha who is all dressed up with no place to go.
Despite his mainstream-heavy sensibility Marshall has crafted a textured film companion to Arthur Golden's stunning masterwork.
It does indeed feel like Thousand Oaks, CA, rather than Land of a Thousand Cherry Blossoms.
There is spectacle enough in Marshall’s movie -- rows of geisha trainees aligned in formation like Rockettes, acres of low, cedar-and-bamboo buildings with mountains in the distance -- but nothing that comes close to lyricism.
Even if it's exaggerated and improbable on every level, the film still manages to grab our eye with its spectacular artistry, and our heart with its simple tale of yearning.
Exotic locations and vibrant colors mask what is essentially a Japanese soap opera voiced in English...
Sumptuous and exotic, this Asian Cinderella story unveils an ancient, refined tradition - albeit at a sluggish pace - and stars three exquisite actresses.
It skips lightly over the surface of its rich material, more preoccupied with making pretty pictures than dipping below the surface so that you can experience the world through the eyes of its traumatized, yet increasingly savvy, heroine.
These extreme displays of artifice are lovely and a little daunting. They are also rather grimly exalted by the camera.
A lush, operatic period piece that abounds in detail, incident and spectacle and yet seldom connects on the emotional plane.
Memoirs of a Geisha is one long oxymoronic exercise in attempting to show delicacy through overkill.
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