Spanning two decades and a momentous war, Memoirs of a Geisha displays all the pomp and grandeur of an epic, but you wouldn't call it sweeping.
Memoirs of a Geisha (2005)
Tomatometer
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Reviews Counted:155
Fresh:54
Rotten:101
Average Rating:5.4/10
Consensus: Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera.
Runtime: 2 hrs 25 mins
Genre: Romance, Theatrical Release, Based On A Novel
Theatrical Release:Dec 9, 2005 Limited
Box Office: $57,010,853
Synopsis: Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese... Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese fishing village in 1929, where two sisters, Chiyo and Satsu, are sold by their troubled father to people who place Chiyo in a classy geisha house known as an okiya in Gion and Satsu in a much more vulgar and dangerous district. Chiyo becomes a maid to Hatsumomo, a cold, controlling, and calculating geisha who is instantly jealous of Chiyo's unusual, beautiful eyes and childish innocence. Chiyo is befriended by Pumpkin, another maid at the okiya, but the two are soon driven apart. Chiyo is shown compassion by the Chairman and another, more successful geisha, Mameha, who takes her under her wing as her "little sister," furthering the battle between Chiyo, now called Sayuri, and Hatsumomo. As Sayuri is trained in the art of being a geisha, learning how to walk, talk, dance, and serve (up to a point) in order to please and honor her distinguished male clients, World War II looms on the horizon, threatening to upend Japan and its old ways. MEMOIRS OF A GEISHA is a lush, sweeping historical and romantic epic, featuring gorgeous period costumes, primarily the exquisite kimono worn by the geisha. Ziyi Zhang (HOUSE OF FLYING DAGGERS) is outstanding as Sayuri, who stands up to the oppressive Hatsumomo (the effervescent Gong Li), while Michelle Yeoh, who starred with Zhang in CROUCHING TIGER, HIDDEN DRAGON, is splendid as the wise and elegant Mameha. Ken Watanabe (THE LAST SAMURAI), Koji Yakusho (SHALL WE DANCE?), and Cary-Hiroyuki Tagawa (ELEKTRA) are among the men who take an interest in Sayuri, who is continually faced with difficult choices that will shape her destiny, just as Japan's destiny is changing shape with the coming of the West. John Williams's soaring score is enhanced by solos from virtuosos Yo-Yo Ma and Itzhak Perlman. [More]
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Koji Yakusho, Mako
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Robin Swicord, Doug Wright
Producer: Steven Spielberg, Roger Birnbaum, Lucy Fisher, Douglas Wick
Composer: John Williams
Studio: Columbia Pictures
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Reviews for Memoirs of a Geisha
Swathed in silk and longing (mostly for a bald guy called Oscar), the big-screen version of Memoirs of a Geisha arrives with good intentions firmly in place.
A bloated melodrama more interested in poses than inner lives (according to some Japanese-culture-vultures, it gets the poses wrong, too).
What's wrong with Memoirs of a Geisha' isn't the casting; it's the film's languorous pace.
Director Rob Marshall Chicago is so transfixed by all the ritualistic hoo-ha that he never brings the story down to earth.
Arthur Golden's bestselling novel has been transfigured into an overripe romance that manages the not-so-cute trick of being both glitzy and ponderous while straining for delicacy and grandeur.
The actors are hamstrung from the very beginning by the Westernized material -- everyone speaks English at all times -- and by the bland direction from Rob Marshall.
It’s not a great movie, or even a particularly good one, but it’s spectacular.
Memoirs loses its taste for risk, and settles, throughout the movie's subsequent melodramatic turns, for the familiar blandishments of good looks and technical control.
Ziyi is radiant, as real as the script allows -- just not Japanese. Sweetly shot overall, though a dismal mood dominates. Otherwise somewhat simple and soapy.
attempts to take the admittedly addicting soap opera that was the book and elevate into something on a higher plane of artistic existence. It fails.
You have to appreciate the attention to detail and the beauty imbued into every scene by Rob Marshall and his crew
Memoirs of a Geisha is worthwhile on many levels, although it lacks the depth of feeling that would have elevated it from a good movie to a romance for the ages.
A would-be cross between Showgirls and Raise the Red Lantern, too dumb to cause offense though falling short of the oblivious abandon that could have vaulted it into high camp.
Flawed by the use of Chinese actors taking the roles of Japanese and for its use of English all around.
More like Ringling Brothers and Barnum & Bailey's Memoirs of a Geisha.
Memoirs of a Geisha builds a beautiful garden, then runs an interstate through it to let more people in.
Any doubts about three Chinese actresses speaking English with Japanese accents vanish in the face of their deeply felt performances and the world Marshall conjures with magical finesse.
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