Tenue de Soirée (Evening Dress) (Ménage) (1986)




Critic Consensus: No consensus yet.

Movie Info

Menage begins as a comedy of sorts, but be warned: it develops into a very dark, very confusing probe into the seamier aspects of Parisian life. Gerard Depardieu plays a crude but charismatic thief, whose own gayness does not prevent his commiserating with those of the opposite sex. Miou-Miou and Michel Blanc are young, impoverished lovers who fall under Depardieu's influence. He gains their confidence by introducing them to kinky sex, then sucks them into a vortex of crime. Director Bertrand … More

Rating: Unrated
Genre: Drama, Art House & International, Gay & Lesbian, Comedy
Directed By:
In Theaters:
On DVD: Jul 14, 2009



as Antoine

as Monique

as Depressed Woman

as Man in Nightclub

as Painter

as Depressed Man

as Monique's client

as Monique
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Critic Reviews for Tenue de Soirée (Evening Dress) (Ménage)

All Critics (11) | Top Critics (6)

Full Review… | January 1, 2000
Chicago Sun-Times
Top Critic

Full Review… | March 26, 2009
Top Critic

Full Review… | January 26, 2006
Time Out
Top Critic

Full Review… | May 20, 2003
New York Times
Top Critic

Full Review… | January 1, 2000
Washington Post
Top Critic

Full Review… | January 1, 2000
Washington Post
Top Critic

Audience Reviews for Tenue de Soirée (Evening Dress) (Ménage)

"Menage" starts with a night out on the town for Monique(Miou-Miou) and her husband Antoine(Michel Blanc). However, instead of enjoying themselves, she spends her time berating him for the lousy state of their lives.(To be honest, their place is a dump.) Enter Bob(Gerard Depardieu), a handsome stranger, who invites them into the exciting world of breaking and entering. So while his huge proboscis leads them to wealth unimaginable, it also as often leads them into trouble...

"Menage" is a wickedly entertaining movie from Bertrand Blier wherein he manages with his usual deftness to simultaneously keep the characters and audience off balance throughout which is no surprise considering the characters' no fixed abode. If the movie had stopped for any period of time, it might have given us a chance to take note of the didactic nature of the dialogue. As it is, it is one long intelligent and honest stream of pure debate on the state of marital relations, as the movie seeks to subvert the normal in any way possible. And Antoine's shock at Bob's advances is not any sign of gay panic; it is just that he is too uptight for words. That like everything else will soon change.

Walter M.

Super Reviewer

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