Shakespeare needs no special effects or short-sighted novelties. Michael Radford's straightforward telling of The Merchant of Venice does the great play justice.
William Shakespeare's The Merchant of Venice (2004)
Tomatometer
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Reviews Counted:121
Fresh:86
Rotten:35
Average Rating:6.7/10
Consensus: A respectable if uneven take on the Bard's The Merchant of Venice.
Theatrical Release:Dec 29, 2004 Limited
Box Office: $3,752,725
Synopsis: One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock,... One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to match his intensity. They succeed, and the result is riveting, rousing entertainment. Even if one is familiar with the play in advance, this is white-knuckle suspense and swooning romance all the way through. A 16th-century Venetian sea merchant (Jeremy Irons), devoted to a young lord (Joseph Fiennes), owes a debt for "a pound of flesh" to the anguished Jewish moneylender Shylock. Lovingly filmed in Venice, the film looks great, with settings and costumes all sporting a dusky, lived-in look that matches the subdued, naturalistic interpretation of the dialogue. Lynn Collins is excellent and ethereal as Portia, and her love scenes with Fiennes have an alchemical power that lifts them to dizzyingly mythic romantic heights. Vague homoerotic content and the grim realities of Jewish oppression are not shied away from here, which lends the film further richness and complexity. With the play's rich array of dramatic and comedic elements all perfectly in tune, MERCHANT OF VENICE earns its place as the first truly great Shakespeare film of the 21st century. [More]
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson, Charlie Cox, Heather Goldenhersh, Lynn Collins, Kris Marshall
Director: Michael Radford
Director: Michael Radford
Screenwriter: Michael Radford
Producer: Cary Brokaw, Jason Piette, Michael Lionello Cowen, Barry Navidi
Composer: Jocelyn Pook
Studio: Sony Pictures Classics
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Reviews for William Shakespeare's The Merchant of Venice
Radford has rendered off the comedy to find the dramatic skeleton underneath. It is an approach that works stunningly well and is perhaps the only way the play can now be done.
The text is wonderful, Radford’s film has some fine performances from Jeremy Irons and Joseph Fiennes, and he makes good use of Venice locations.
It tilts so far in one direction that the comic elements seem to come from another, lesser film.
It is really a pleasure to watch a masterful actor like Al Pacino wring every nuance out of the multifarious character of Shylock.
Radford's gloomy film is a long and slightly draining haul, but the intensity of Al Pacino's central performance justifies the effort required.
Pacino takes Shylock, perhaps the most insistent and troubling character in all of Shakespeare, and roots him powerfully to the ground.
Shakespeare's controversial play has been lovingly adapted to the screen in a version that bears comparison to Kenneth Branagh's best film work.
Radford’s adaptation admirably captures the inherent and troubling contradictions of the play, and turns them into great, thought-provoking drama.
It's the perfect cinematic vehicle -- or at least it would have been, if Radford's adaptation weren't so unremittingly cloddish.
Shylock is an intense, passionate character in a great play, and Radford's film does them justice.
An important, timeless and sometimes troublesome classic has been filmed successfully and at long last.
Pacino shapes the role masterfully. He not only rises to the role's extremes of villainous melodrama, he fills them, rendering them both theatrical and believable
However one might quibble with parts of the director's adaptation, there's enough fine craft that he may be called, Sir Radford of Stratford.
The opening disclaimer suggests that 'intolerance of the Jews' is something the world has outgrown, rather than an attitude that continues to be exploited...
Latest News for William Shakespeare's The Merchant of...
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