Radford preserves the mechanics of the plot, but also offers us heroes who are as flawed as the nominal villain, if not more so
William Shakespeare's The Merchant of Venice (2004)
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Reviews Counted:121
Fresh:86
Rotten:35
Average Rating:6.7/10
Consensus: A respectable if uneven take on the Bard's The Merchant of Venice.
Theatrical Release:Dec 29, 2004 Limited
Box Office: $3,752,725
Synopsis: One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock,... One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to match his intensity. They succeed, and the result is riveting, rousing entertainment. Even if one is familiar with the play in advance, this is white-knuckle suspense and swooning romance all the way through. A 16th-century Venetian sea merchant (Jeremy Irons), devoted to a young lord (Joseph Fiennes), owes a debt for "a pound of flesh" to the anguished Jewish moneylender Shylock. Lovingly filmed in Venice, the film looks great, with settings and costumes all sporting a dusky, lived-in look that matches the subdued, naturalistic interpretation of the dialogue. Lynn Collins is excellent and ethereal as Portia, and her love scenes with Fiennes have an alchemical power that lifts them to dizzyingly mythic romantic heights. Vague homoerotic content and the grim realities of Jewish oppression are not shied away from here, which lends the film further richness and complexity. With the play's rich array of dramatic and comedic elements all perfectly in tune, MERCHANT OF VENICE earns its place as the first truly great Shakespeare film of the 21st century. [More]
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson, Charlie Cox, Heather Goldenhersh, Lynn Collins, Kris Marshall
Director: Michael Radford
Director: Michael Radford
Screenwriter: Michael Radford
Producer: Cary Brokaw, Jason Piette, Michael Lionello Cowen, Barry Navidi
Composer: Jocelyn Pook
Studio: Sony Pictures Classics
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Reviews for William Shakespeare's The Merchant of Venice
Radford’s adaptation admirably captures the inherent and troubling contradictions of the play, and turns them into great, thought-provoking drama.
The Merchant of Venice is a not a perfect play, but it is a good one. And the same can be said for Radford's version of it.
Radford has rendered off the comedy to find the dramatic skeleton underneath. It is an approach that works stunningly well and is perhaps the only way the play can now be done.
A solid production that tries to overcome as best as it can its flaws, which include its anti-Semitic caricature of the Shylock.
What an odd accident of fate --and sad collision of dietary demands-- that the stage's most famous Jew would wind up being played so wonderfully by film's most delicious ham.
Merchant isn't perfect; it's torn in too many directions. But Radford's film is about as good as one could hope for.
Pacino's performance creates a bridge over the language barrier that is the film's saving grace ... and Radford expertly adapts the language to full cinematic potential.
As much fun as it is to see Pacino chew some Shakespearean scenery, both the role and the movie could have used a more likable actor.
Pacino's performance doesn't reconcile the contradictions of The Merchant of Venice, but it goes far in revealing them.
Pacino makes a memorable Shylock, filled with painful humanity, rage and insecurity.
A vivid, engrossing and defensible Shakespeare adaptation, a period piece that truly has a feel for a time long past -- and a place and attitude that are not.
The filmmaker succeeds mightily in imbuing potentially dangerous material with enlightened ambiguity.
Radford has managed to find and nurture the story’s deeper, universally heartbreaking themes.
Pacino's stentorian delivery and punctuating hands are almost parodistic, as likely to draw a chuckle as to elicit empathy.
The opening disclaimer suggests that 'intolerance of the Jews' is something the world has outgrown, rather than an attitude that continues to be exploited...
Pacino, bearded and digging deep within his talent, almost shrinks into human nothingness under the weight of hate. It may be his finest performance.
Latest News for William Shakespeare's The Merchant of...
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Billy Wilder's 1957 film "Witness for the Prosecution" is rather excellent, which is why most (old) movie fans will take exception to the news that ... a remake is... More...
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