The film is a work of clarity and urgency and a welcome and overdue addition to the Bard's film canon.
William Shakespeare's The Merchant of Venice (2004)
Tomatometer
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Reviews Counted:121
Fresh:86
Rotten:35
Average Rating:6.7/10
Consensus: A respectable if uneven take on the Bard's The Merchant of Venice.
Theatrical Release:Dec 29, 2004 Limited
Box Office: $3,752,725
Synopsis: One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock,... One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to match his intensity. They succeed, and the result is riveting, rousing entertainment. Even if one is familiar with the play in advance, this is white-knuckle suspense and swooning romance all the way through. A 16th-century Venetian sea merchant (Jeremy Irons), devoted to a young lord (Joseph Fiennes), owes a debt for "a pound of flesh" to the anguished Jewish moneylender Shylock. Lovingly filmed in Venice, the film looks great, with settings and costumes all sporting a dusky, lived-in look that matches the subdued, naturalistic interpretation of the dialogue. Lynn Collins is excellent and ethereal as Portia, and her love scenes with Fiennes have an alchemical power that lifts them to dizzyingly mythic romantic heights. Vague homoerotic content and the grim realities of Jewish oppression are not shied away from here, which lends the film further richness and complexity. With the play's rich array of dramatic and comedic elements all perfectly in tune, MERCHANT OF VENICE earns its place as the first truly great Shakespeare film of the 21st century. [More]
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson, Charlie Cox, Heather Goldenhersh, Lynn Collins, Kris Marshall
Director: Michael Radford
Director: Michael Radford
Screenwriter: Michael Radford
Producer: Cary Brokaw, Jason Piette, Michael Lionello Cowen, Barry Navidi
Composer: Jocelyn Pook
Studio: Sony Pictures Classics
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Reviews for William Shakespeare's The Merchant of Venice
Radford's gloomy film is a long and slightly draining haul, but the intensity of Al Pacino's central performance justifies the effort required.
As evidenced by this film, in capable hands, Shylock is a unique amalgam of flaws still worthy of rendition.
Ranks as one of the most powerful recent adaptations of the bard's work.
Radford makes the most of Venice's dark, entangling corners, and Merchant certainly has its better moments, even if its melange of acting styles and directorial intentions don't quite build into a totally successful production.
This tragicomic classic isn't effective either as a comedy or a tragedy.
The give-and-take between the two veterans [Pacino and Irons] is a delight to witness.
The movie moves briskly, and as long as you focus on listening intently to the dialogue, the Shakespearean style of speech will not be indistinguishable.
This adaptation of Shakespeare's most controversial play is breathtaking and*features*exceptional performances, including a career best by Al Pacino.**
A production that is already long on atmosphere but short on passion and pain.
For lovers of the play's language ... the losses will hurt. But as cinematic storytelling, it works.
For all the silky Italian pleasures, there is an aroma from this strange drama that whiffs to mind the ashen breeze from Auschwitz.
Pacino's fiercely vivid performance keeps Shylock's half of the play alive at all times.
Antonio's shirt is ripped open, to expose Irons' thin chest, his body suddenly a map of his sorrow, his suffering.
[Al Pacino's] terrific to watch and listen to; you can't take your eyes off him.
Latest News for William Shakespeare's The Merchant of...
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