The Merchant of Venice is a problematic play, but Michael Radford's new movie version passes most of the cinematic Shakespeare tests with flying colors.
William Shakespeare's The Merchant of Venice (2004)
Tomatometer
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Reviews Counted:121
Fresh:86
Rotten:35
Average Rating:6.7/10
Consensus: A respectable if uneven take on the Bard's The Merchant of Venice.
Theatrical Release:Dec 29, 2004 Limited
Box Office: $3,752,725
Synopsis: One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock,... One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to match his intensity. They succeed, and the result is riveting, rousing entertainment. Even if one is familiar with the play in advance, this is white-knuckle suspense and swooning romance all the way through. A 16th-century Venetian sea merchant (Jeremy Irons), devoted to a young lord (Joseph Fiennes), owes a debt for "a pound of flesh" to the anguished Jewish moneylender Shylock. Lovingly filmed in Venice, the film looks great, with settings and costumes all sporting a dusky, lived-in look that matches the subdued, naturalistic interpretation of the dialogue. Lynn Collins is excellent and ethereal as Portia, and her love scenes with Fiennes have an alchemical power that lifts them to dizzyingly mythic romantic heights. Vague homoerotic content and the grim realities of Jewish oppression are not shied away from here, which lends the film further richness and complexity. With the play's rich array of dramatic and comedic elements all perfectly in tune, MERCHANT OF VENICE earns its place as the first truly great Shakespeare film of the 21st century. [More]
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson, Charlie Cox, Heather Goldenhersh, Lynn Collins, Kris Marshall
Director: Michael Radford
Director: Michael Radford
Screenwriter: Michael Radford
Producer: Cary Brokaw, Jason Piette, Michael Lionello Cowen, Barry Navidi
Composer: Jocelyn Pook
Studio: Sony Pictures Classics
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Reviews for William Shakespeare's The Merchant of Venice
In what is, unbelievably, the first English-language film of Merchant since the silent era, Collins and Pacino plumb the depths of acting, of Shakespeare, of the difference between law and justice.
Much darker than normal, the acting, directing and staging are very good. But it’s Shakespeare, stupid. Old Will and what he wrote steal the show.
Beauty and ugliness mingle in this play, with the beauty of language ultimately triumphing.
Were it not for the stain of anti-Semitism that forever marks Shakespeare's The Merchant of Venice, there is little doubt that Michael Radford's brave screen adaptation would currently be in serious contention for awards.
A lean, stripped-down and unapologetically cinematic take on Shakespeare's work, an adaptation designed at each turn to diminish the mechanics of the comedy and to explore the depths of the pathos.
Shylock is an intense, passionate character in a great play, and Radford's film does them justice.
The performances are all strong, and, for the most part, sparkle with the kind of originality and assurance that only comes when a director allows his players an unusual free rein.
An important, timeless and sometimes troublesome classic has been filmed successfully and at long last.
The usurer’s shifty moral character drives the movie, even if you’ve read the play before, and Pacino (over)acts accordingly
Despite several missteps, a Shakespeare production this gutsy and distinctive is worth seeing, even if it's just to be a part of the debate it will stir.
To quote the touching words of one correspondent, posted during an online discussion of this movie, 'I didn't like the story.' Not much to be done about that.
Full beard, furrowed brow, and rough voice all combine with the diminutive stature of one of the greatest actors ever pumping passion and interest into every Shylock moment.
An exceptional example of Shakespeare on film, one that will leave audiences moved but also unsettled, in that strange way characteristic of Shakespeare's comedies.
Pacino takes Shylock, perhaps the most insistent and troubling character in all of Shakespeare, and roots him powerfully to the ground.
...Al Pacino's powerful, poignant performance is matched by most of the supporting cast - and photographer Benoit Delhomme's Venetian visuals are dazzling.
Radford doesn't solve the problems of The Merchant of Venice, which nowadays is too disturbing to be played for comedy and too unresolved to qualify as tragedy or even that ever-shifting hybrid, tragicomedy.
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