This is one of Mr. Chabrol’s subtlest works, but also one of his most uncanny.
Merci Pour le Chocolat (2002)
Tomatometer
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Reviews Counted:49
Fresh:41
Rotten:8
Average Rating:7.1/10
Consensus: Boasting a masterful performance by Huppert, Merci Pour Le Chocolat is a suspenseful psychological thriller.
Theatrical Release:Jul 31, 2002 Limited
Synopsis:
Lausanne, Switzerland, the present. Marie-Claire 'Mika' Muller (Isabelle Huppert), managing director of a chocolate company, is remarrying André (Jacques Dutronc), the concert pianist to whom she...
Lausanne, Switzerland, the present. Marie-Claire 'Mika' Muller (Isabelle Huppert), managing director of a chocolate company, is remarrying André (Jacques Dutronc), the concert pianist to whom she was briefly married 18 years before. During their time apart André had married Lisbeth, now dead, and raised his child Guillaume (Rodolphe Pauly). Rumors abound that Guillaume had nearly been exchanged with another baby at birth.
That baby is now piano student Jeanne (Anna Mouglalis), a daughter of forensic scientist Madame Pollet (Brigitte Catillon) and lover of her trainee Axel (Matthieu Simonet). On discovering the mix-up that occured at the clinic where she was born, Jeanne visits André and an instant affinity between the two makes itself felt. Jeanne is told that Lisbeth died after falling asleep at the wheel of her car. Mika drops a flask of hot chocolate she regularly prepares in a way that raises Jeanne's suspicions. Jeanne has her pullover, stained with the chocolate, analysed by Axel and discovers that the drink was spiked with the sleeping drug Rohypnol. Guillaume dismisses Jeanne's fears that the spiked drink could have been meant for him, and revelas that when Lisbeth was killed she and André, short of funds, had been staying with Mika. Jeanne is invited to spend a few days studying the piano with André, and is told by her mother that she was conceived by artificial insemination.
At dinner Mika reveals that she was an adopted child. She encourages closeness between Jeanne and Guillaume, and 'inadvertently' spills hot water on her stepson's foot. André has run out of Rohypnol, to which he is addicted. accompanied by Guillaume, who now share her suspicions, Jeanne drives into town to collect a fresh supply. André accuses Mika of Lisbeth's death by spiking her cognac with Rophypnol. Mika owns up. It becomes plain that she also spiked the after-dinner coffee when Jeanne is overcome by somnolence at the wheel; her car crashes into a wall. Neither Jeanne nor Guillaume is hurt. Mika passively awaits justice. -- © Empire Pictures
Starring: Isabelle Huppert, Jacques Dutronc, Anna Mouglalis, Rodolphe Pauly
Starring: Isabelle Huppert, Jacques Dutronc, Anna Mouglalis, Rodolphe Pauly, Brigitte Catillon, Michel Robin, Mathieu Simonet
Director: Claude Chabrol
Director: Claude Chabrol
Screenwriter: Caroline Eliacheff, Claude Chabrol
Producer: Marin Karmitz
Composer: Matthieu Chabrol
Studio: First Run Features
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Reviews for Merci Pour le Chocolat
The film is a masterpiece of nuance and characterization, marred only by an inexplicable, utterly distracting blunder at the very end.
Huppert’s superbly controlled display of murderous vulnerability ensures that malice has a very human face.
Every moment of the way, there is a delectable sense of suble menace.
Claude Chabrol's camera has a way of gently swaying back and forth as it cradles its characters, veiling tension beneath otherwise tender movements.
Merci Pour le Chocolat has a restraint and rigor that we don't see in commercial American films, the kind that a director creates when he has no interest in sentimentality or in soliciting the audience's favor.
Huppert, for her part, is magnificent, an enigmatic echo of her twisted musician in Michael Haneke's horribly grandiloquent The Piano Teacher.
The picture belongs to Ms. Mouglalis, whose adorable warmth doesn't lessen her instinct to exploit.
Isabelle Huppert excels as the enigmatic Mika and Anna Mouglalis is a stunning new young talent in one of Chabrol's most intense psychological mysteries.
A sun-drenched masterpiece, part parlor game, part psychological case study, part droll social satire.
Weighty and ponderous but every bit as filling as the treat of the title.
A witty and suspenseful tone poem with a magnetic Isabelle Huppert as a perverse, central character.
A light confection with a tasty Isabelle Huppert performance at its center.
Suspend your disbelief here and now, or you'll be shaking your head all the way to the credits.
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