A surprisingly tender, sensitive and intelligent drama with well-nuanced performances. It's a solid directorial debut from Michael Keaton.
The Merry Gentleman (2009)
Tomatometer
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Reviews Counted:66
Fresh:43
Rotten:23
Average Rating:5.8/10
Consensus: Michael Keaton's directorial debut, The Merry Gentleman, is a slow character study aided greatly by the performances of Keaton and Kelly MacDonald.
Theatrical Release:May 1, 2009 Limited
Box Office: $291,677
Synopsis: A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a... A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a precision and style that mark a distinctive directorial debut, the film begins with a woman who leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, alcoholic detective to form the third party in a very unusual triangle, and this dark, soulful, sometimes-funny story begins to unfold. Walking a line between the conventional and the idiosyncratic, Keaton creates a highly original yarn that has a quiet, sometimes-even-meditative quality, and frames a more-straightforward story about a woman's accidental involvement in a murder investigation. Wonderfully composed and enacted, The Merry Gentleman features Keaton in the lead role opposite a gifted leading lady, Kelly Macdonald, who is at once enigmatic and iconographic in her portrayal of a woman trying to find her way in a cold world. The cop, played by Tom Bastounes, is a disheveled embodiment of male cluelessness and relentless pursuit. Together they are lonely figures in an urban landscape, one that exemplifies the isolation and need for personal relationships that we all carry with us. -- © Sundance Film Festival [More]
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale, Guy VanSwearingen
Director: Michael Keaton
Director: Michael Keaton
Screenwriter: Ron Lazzeretti
Producer: Tom Bastounes, Ron Lazzeretti, Steven A. Jones
Composer: Edward Shearmur
Studio: Samuel Goldwyn Films
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Reviews for The Merry Gentleman
This is a remarkable debut, touching on physical, emotional, intellectual and spiritual planes all at once. I hope it's the first step in sending Keaton back to the A-list.
Keaton's directorial style is as muted as his uncharacteristically subdued performance, but it remains strangely compelling.
Notable for its calm composure, unfussy style and some fine performances.
There is both a warmth and a reserve to this film which, while covering serious ground, has a gentle humour running throughout.
We're always aware of watching characters--not people--languish through the usual indie ennui.
Despite memorable scenes, the narrative’s aim is never clear: is this a crime drama, dark comedy or a May-December romance?
Michael Keaton's directorial debut is a low-key character study which just about survives its odd shifts of tone.
An interesting film with some really well thought out and well grounded characters and I was surprised by it.
A lot goes on in this film without much being said, a credit to Keaton, who shoots it deliberately and thoughtfully, in a film demonstrating there should be a lot more work on both sides of the camera ahead for Michael Keaton.
The only merriment that The Merry Gentleman delivers is through Michael Keaton's masterful direction and the performances of the two leads. It’s perfectly watchable, but the story lacks the content and incident to deliver an emotional punch.
A dark and lovely drama about the complications of human connections that is Michael Keaton's impressive directing debut.
The Merry Gentleman is not destined to be some massive mainstream hit. Instead, it's a slight indie effort that offers innumerable charms without totally testing your patience.
Keaton builds the tension nicely. Payoffs aren't as important to him as establishing a mood, a tone (mostly bleak). Patient, at times to a fault, he allows the characters to build over time.
MacDonald's perky performance is a distinct plus, especially because Keaton's character is so enigmatic he's unfathomable, while the movie's lack of pace is only partly offset by some very subtle camerawork.
We are never quite sure whether this is a thriller or a dark romance, but Keaton conjures up some excellent scenes and allows Macdonald the chance to shine.
With just a few tweaks, The Merry Gentleman could have made a wickedly funny parody of the over-earnest, lyrically hard-edged indie movie. But it's too late for do-overs.
An edgy entertainment, the movie also remarkably has the feel-good warmth of an old-time Irish film.
Isn't the sort of picture that grabs you from the start, but the tale of two loners who find one another gradually grows on you.
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