We're always aware of watching characters--not people--languish through the usual indie ennui.
The Merry Gentleman (2009)
Tomatometer
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Reviews Counted:69
Fresh:44
Rotten:25
Average Rating:5.8/10
Consensus: Michael Keaton's directorial debut, The Merry Gentleman, is a slow character study aided greatly by the performances of Keaton and Kelly MacDonald.
Theatrical Release:May 1, 2009 Limited
Box Office: $291,677
Synopsis: A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a... A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a precision and style that mark a distinctive directorial debut, the film begins with a woman who leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, alcoholic detective to form the third party in a very unusual triangle, and this dark, soulful, sometimes-funny story begins to unfold. Walking a line between the conventional and the idiosyncratic, Keaton creates a highly original yarn that has a quiet, sometimes-even-meditative quality, and frames a more-straightforward story about a woman's accidental involvement in a murder investigation. Wonderfully composed and enacted, The Merry Gentleman features Keaton in the lead role opposite a gifted leading lady, Kelly Macdonald, who is at once enigmatic and iconographic in her portrayal of a woman trying to find her way in a cold world. The cop, played by Tom Bastounes, is a disheveled embodiment of male cluelessness and relentless pursuit. Together they are lonely figures in an urban landscape, one that exemplifies the isolation and need for personal relationships that we all carry with us. -- © Sundance Film Festival [More]
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale, Guy VanSwearingen
Director: Michael Keaton
Director: Michael Keaton
Screenwriter: Ron Lazzeretti
Producer: Tom Bastounes, Ron Lazzeretti, Steven A. Jones
Composer: Edward Shearmur
Studio: Samuel Goldwyn Films
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Reviews for The Merry Gentleman
Seems coolly unconcerned with showing us anything of its central relationship apart from a few awkward exchanges and uninterested in developing one of these characters beyond a near-silent abstraction.
Despite memorable scenes, the narrative’s aim is never clear: is this a crime drama, dark comedy or a May-December romance?
MacDonald's perky performance is a distinct plus, especially because Keaton's character is so enigmatic he's unfathomable, while the movie's lack of pace is only partly offset by some very subtle camerawork.
With just a few tweaks, The Merry Gentleman could have made a wickedly funny parody of the over-earnest, lyrically hard-edged indie movie. But it's too late for do-overs.
The subdued relationship that develops between the two characters is out of balance with the fanciful contrivances that bring them together.
It's a confused muddle, and as a result, the film never really finds its footing -- and it never seems to have any narrative momentum.
The director's vision has dictated his acting choices, and that vision has been clouded by Ron Lazzaretti's sententious script.
Part tastefully muted, part plain morose, Keaton’s direction styles this as a character study of hearts in winter. But it doesn’t wash.
The film never quite convinces as anything other than a puff-piece for Keaton, but it is bolstered by another deeply empathetic turn from Macdonald.
The potential for suspense is dropped in favor of lots of hushed interludes in which nothing happens.
Set during a joyless Chicago Christmas (hence the carol-like title), this Debbie Downer of a drama is a bitter slog.
Filled more with character studies than narrative intrigues, The Merry Gentleman also provides only sketchy personality details and background information.
Keaton and writer Ron Lazzeretti pick tones like someone pulling out lotto numbers ... veers from creepy to festive to sad to twinkly to spiritual to bright to depressing.
Keaton offers glimpses of a directorial gift, but this odd little piece feels like warm-up for something more compelling.
[Keaton] summons a wonderful performance by Kelly Macdonald and strong character distinction to the secondary players, but otherwise his movie works only in fragments.
A movie that doesn't quite have enough romance, thriller or revenge-fantasy elements to qualify for any of those genres.
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