Keaton builds the tension nicely. Payoffs aren't as important to him as establishing a mood, a tone (mostly bleak). Patient, at times to a fault, he allows the characters to build over time.
The Merry Gentleman (2009)
Tomatometer
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Reviews Counted:50
Fresh:33
Rotten:17
Average Rating:5.9/10
Consensus: Michael Keaton's directorial debut, The Merry Gentleman, is a slow character study aided greatly by the performances of Keaton and Kelly MacDonald.
Theatrical Release:May 1, 2009 Limited
Box Office: $291,677
Synopsis: A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a... A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a precision and style that mark a distinctive directorial debut, the film begins with a woman who leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, alcoholic detective to form the third party in a very unusual triangle, and this dark, soulful, sometimes-funny story begins to unfold. Walking a line between the conventional and the idiosyncratic, Keaton creates a highly original yarn that has a quiet, sometimes-even-meditative quality, and frames a more-straightforward story about a woman's accidental involvement in a murder investigation. Wonderfully composed and enacted, The Merry Gentleman features Keaton in the lead role opposite a gifted leading lady, Kelly Macdonald, who is at once enigmatic and iconographic in her portrayal of a woman trying to find her way in a cold world. The cop, played by Tom Bastounes, is a disheveled embodiment of male cluelessness and relentless pursuit. Together they are lonely figures in an urban landscape, one that exemplifies the isolation and need for personal relationships that we all carry with us. -- © Sundance Film Festival [More]
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale, Guy VanSwearingen
Director: Michael Keaton
Director: Michael Keaton
Screenwriter: Ron Lazzeretti
Producer: Tom Bastounes, Ron Lazzeretti, Steven A. Jones
Composer: Edward Shearmur
Studio: Samuel Goldwyn Films
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Reviews for The Merry Gentleman
...a formally minimalist film that focuses onsurface description, eschews expository dialogue and expects theaudience to collaborate in its story-making.
An interesting film with some really well thought out and well grounded characters and I was surprised by it.
A lot goes on in this film without much being said, a credit to Keaton, who shoots it deliberately and thoughtfully, in a film demonstrating there should be a lot more work on both sides of the camera ahead for Michael Keaton.
Filled more with character studies than narrative intrigues, The Merry Gentleman also provides only sketchy personality details and background information.
Gentleman is a screamingly quiet film distinguished by a haunting score and terrific lead performances.
An overly muted and cautious piece of work. Watching it is like seeing a man ease out onto the limb of a tree, constantly testing its strength.
He and cinematographer Chris Seager do choose some comparatively adventurous camera angles and overall Keaton exhibits a steady directorial hand.
The Merry Gentleman is original, absorbing and curiously moving in ways that are far from expected.
Even if this particular story has trouble coalescing, The Merry Gentleman serves as a calling card for (director Michael) Keaton's next one. I hope there is a next one.
In his uneven directorial debut The Merry Gentleman, Michael Keaton plays a distinctly unmerry Chicago hit man named Frank Logan who falls for a mousy receptionist, Kate Frazier (Kelly Macdonald), on the run from an abusive cop husband.
A deliberately-paced crime drama that brings a strange sense of warmth, dark humor, and even some odd romance to a potentially dreary tale.
This is a remarkable debut, touching on physical, emotional, intellectual and spiritual planes all at once. I hope it's the first step in sending Keaton back to the A-list.
A nice little independent film built around Kelly Macdonald's sweet personality and charming Scottish accent as surely as if it were a star vehicle developed for a contract player during the golden age of the Hollywood studio system.
Michael Keaton turns in a solid directorial debut in a deliberately paced story of a menage-a-trois.
It's a confused muddle, and as a result, the film never really finds its footing -- and it never seems to have any narrative momentum.
Michael Keaton the actor should work with Michael Keaton the director more.
The film marks Michael Keaton's directorial debut and if this film accomplishes anything at all, its relative failure may finally inspire him to return to the day job from which he has been missing for far too long.
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