[Shows] less 'the majesty of rock' ... than the banal yet ultimately far more inspirational reality of flawed human beings confronting their demons and getting down to (admittedly big money) business.
Metallica: Some Kind of Monster (2004)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:117
Fresh:102
Rotten:15
Average Rating:7.5/10
Consensus: Fascinating behind-the-scenes look at how Metallica survives one of their more turbulent periods.
Theatrical Release:Jul 9, 2004 Limited
Box Office: $964,464
Synopsis: "This is not a film about Metallica – it's a film about relationships." - Drummer Lars Ulrich, to Rolling Stone Three years in the making, this new film from acclaimed documentary filmmakers... "This is not a film about Metallica – it's a film about relationships." - Drummer Lars Ulrich, to Rolling Stone Three years in the making, this new film from acclaimed documentary filmmakers Joe Berlinger and Bruce Sinofsky (the team that created BROTHER'S KEEPER and PARADISE LOST) provides a fascinating, in-depth portrait of the most successful heavy metal band of all time, as they faced monumental personal and professional challenges while recording their first studio album of original songs in five years. In the tradition of such seminal music documentaries as DON'T LOOK BACK and GIMME SHELTER, METALLICA: SOME KIND OF MONSTER seeks to transcend the conventions of the "rock ‘n' roll movie" genre, trading rock-star posing for truthful introspection, and revealing an intimate portrait of the individuals behind a legendary band and their unique creative journey. As filming began, Metallica unexpectedly split with their long-time bassist Jason Newsted. Relations between the longtime band-mates were at an all-time low, and since Metallica hadn't toured or released an album for several years, fans and the music press were questioning Metallica's future. Creatively and personally at odds, yet under pressure to begin recording their new album St. Anger, the band's management suggested they start group therapy as a last-ditch effort to keep the splintering group from unraveling. As therapy continued, the band confronted the notion that despite their many years together, they barely knew each other at all. For lead singer (and father of three) James Hetfield, the therapy sessions unexpectedly prompted him to enter rehab, leaving the band's future as well as the completion of the album in doubt for nearly a year. With extraordinary, revealing intimacy, Berlinger and Sinofsky filmed this process of discovery as the band members were forced to confront their personal demons, their relationships to one other, and the ever-changing recording industry. Through the filmmakers' remarkable behind-the-scenes perspective, the viewer is privy to the band's reinvention of their creative process, as well their struggles to balance their personal lives with the demands of sustaining the multi-million dollar business they've spent twenty years building. The film follows Metallica's musical transformation as James relinquishes sole control of the lyricwriting process and the band embarks on bold new studio experiments. We see James' struggles to push himself beyond being the front-man of rock's hardest partying band (often called "Alcoholica" by fans and the rock press). Will he be able to go back on the road clean and sober? We are with the band as the album takes shape against the backdrop of a tumultuous two years: from drummer Lars Ulrich's public crusade against Napster to a newly-sober Hetfield rediscovering his music without the crutch of his addictions; from the departure of bassist Jason Newsted to their effort to find the right replacement to make their band whole again; from a group on the verge of extinction to a thriving, heavy band with a new number one album and a sold-out world tour. As with many great non-fiction journeys, METALLICA: SOME KIND OF MONSTER subverted the expectations of everyone involved in its creation. What began as the documenting of the making of an album became an unexpected voyage into the complexities of human relationships, and the power of the creative process to exact emotional tolls and ultimately, to heal the soul. -- © IFC Films [More]
Starring: Metallica
Starring: Metallica
Director: Joe Berlinger, Bruce Sinofsky
Director: Joe Berlinger, Bruce Sinofsky
Producer: Bruce Sinofsky
Studio: IFC Films
Get This Movie
Reviews for Metallica: Some Kind of Monster
Perhaps the most dynamic and enthralling cinematic storytelling ever to emerge from the mystique-shrouded fog of rock 'n’ roll relationships.
Too long...For them to allow their petulant disagreements to be so widely seen indicates that they are either amazingly mature and self-confident, or amazingly masochistic.
The real beauty of "Metallica" is its understanding of a business, and a fan base, that provide no way to age gracefully while retaining musical credibility.
Whether you know everything or nothing about Metallica, it will rock you.
it’s truly laudable that the band let them keep filming, even after what was originally intended to be a “making of” puff piece turns into an intense psychodrama.
There's something so right about seeing multimillionaire metal monsters reduced to crybabies, slamming doors, flinging passive-aggresive insults and pouting like 8-year-olds.
A cultural document of significance and insight about group dynamics, the creative process and the business of being Metallica.
It's not the sort of film that will make you like its subjects, but you will understand them and appreciate their power.
Fans of the band will love the revealing footage, especially landmark moments such as bassist auditions (more famous names showed up than the one they picked) and encounters with the ex-Metallica members (Newsted and Megadeth frontman Dave Mustaine).
Comparisons to This is Spinal Tap abound in this inside look at the heavy metal rock band Metallica, but This is Spinal Tap was a heck of a lot of fun also.
A compelling documentary that allows us exposure to musicians in a more personal manner than usual.
Berlinger and Sinofsky... have created the most revelatory movie about musical creativity since Let It Be.
An intimate and expansive portrait of a band grappling with inner demons and external forces that have changed the music business.
If you're a fan, you will almost certainly be touched by this effort to put an entire dysfunctional band on the couch. And if you're not, well, you're going to giggle.
While it does give us a more honest glimpse into the business of rock music, the film is also more than a little windy (after more than two hours, it becomes wearisome).
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Metallica: Some Kind of Monster at Rotten Tomatoes
- Metallica: Some Kind of Monster at IGN
- Metallica: Some Kind of Monster at AskMen
Fresh Links
Featured

Last week, MSN gave us their top 09 films. Now see what their favorites of the decade are!

Here's a list of the 50 best movies of 2009, according to the good people over at Moviefone.

Hollywood.com takes a stab at determining who in movies will be on Santa's naughty list in 2009.

TIME chimes in with their own list of the best films released this year.

Click through to see which movies BuzzSugar placed in their Best-of-Decade list!
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



