An unflinching and often hilarious look at the humanity of these heavy-metal gods.
Metallica: Some Kind of Monster (2004)
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Reviews Counted:117
Fresh:102
Rotten:15
Average Rating:7.5/10
Consensus: Fascinating behind-the-scenes look at how Metallica survives one of their more turbulent periods.
Theatrical Release:Jul 9, 2004 Limited
Box Office: $964,464
Synopsis: "This is not a film about Metallica – it's a film about relationships." - Drummer Lars Ulrich, to Rolling Stone Three years in the making, this new film from acclaimed documentary filmmakers... "This is not a film about Metallica – it's a film about relationships." - Drummer Lars Ulrich, to Rolling Stone Three years in the making, this new film from acclaimed documentary filmmakers Joe Berlinger and Bruce Sinofsky (the team that created BROTHER'S KEEPER and PARADISE LOST) provides a fascinating, in-depth portrait of the most successful heavy metal band of all time, as they faced monumental personal and professional challenges while recording their first studio album of original songs in five years. In the tradition of such seminal music documentaries as DON'T LOOK BACK and GIMME SHELTER, METALLICA: SOME KIND OF MONSTER seeks to transcend the conventions of the "rock ‘n' roll movie" genre, trading rock-star posing for truthful introspection, and revealing an intimate portrait of the individuals behind a legendary band and their unique creative journey. As filming began, Metallica unexpectedly split with their long-time bassist Jason Newsted. Relations between the longtime band-mates were at an all-time low, and since Metallica hadn't toured or released an album for several years, fans and the music press were questioning Metallica's future. Creatively and personally at odds, yet under pressure to begin recording their new album St. Anger, the band's management suggested they start group therapy as a last-ditch effort to keep the splintering group from unraveling. As therapy continued, the band confronted the notion that despite their many years together, they barely knew each other at all. For lead singer (and father of three) James Hetfield, the therapy sessions unexpectedly prompted him to enter rehab, leaving the band's future as well as the completion of the album in doubt for nearly a year. With extraordinary, revealing intimacy, Berlinger and Sinofsky filmed this process of discovery as the band members were forced to confront their personal demons, their relationships to one other, and the ever-changing recording industry. Through the filmmakers' remarkable behind-the-scenes perspective, the viewer is privy to the band's reinvention of their creative process, as well their struggles to balance their personal lives with the demands of sustaining the multi-million dollar business they've spent twenty years building. The film follows Metallica's musical transformation as James relinquishes sole control of the lyricwriting process and the band embarks on bold new studio experiments. We see James' struggles to push himself beyond being the front-man of rock's hardest partying band (often called "Alcoholica" by fans and the rock press). Will he be able to go back on the road clean and sober? We are with the band as the album takes shape against the backdrop of a tumultuous two years: from drummer Lars Ulrich's public crusade against Napster to a newly-sober Hetfield rediscovering his music without the crutch of his addictions; from the departure of bassist Jason Newsted to their effort to find the right replacement to make their band whole again; from a group on the verge of extinction to a thriving, heavy band with a new number one album and a sold-out world tour. As with many great non-fiction journeys, METALLICA: SOME KIND OF MONSTER subverted the expectations of everyone involved in its creation. What began as the documenting of the making of an album became an unexpected voyage into the complexities of human relationships, and the power of the creative process to exact emotional tolls and ultimately, to heal the soul. -- © IFC Films [More]
Starring: Metallica
Starring: Metallica
Director: Joe Berlinger, Bruce Sinofsky
Director: Joe Berlinger, Bruce Sinofsky
Producer: Bruce Sinofsky
Studio: IFC Films
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Reviews for Metallica: Some Kind of Monster
The band's literal Dr. Phil even develops a 'Metallica Mission Statement' that asks the musicians to become 'healers of ourselves' -- a far cry from 'Kill 'Em All.'
On its own merits, the movie is an enthralling (if overlong) group portrait; viewed in context, it's even more fascinating, continually proving the opposite of every point it tries to make.
Like all worthwhile rock documentaries, Monster turns its viewers into voyeurs, taking them inside some intimate moments and making them squirm.
Fans will undoubtedly thrive on every second. For the rest of us, Monster is precisely that: a creature powerful but ungainly.
It's great emotional fodder for old-school Metallica fans and smart, tugging drama for people unfamiliar with the band.
By the time this fascinating two-hour- and-20-minute film ends, you'll have seen the group rise from the ashes of its own massive discontent.
The movie permits us to hover from first riff to last encore, during which Metallica finds a new record and itself just as it all seems to be coming apart.
Metallica: Some Kind of Monster doesn't require you to know anything about the band Metallica or heavy metal music, but it supplies a lot of information about various kinds of monsters.
The filmmakers didn't do anything to make Metallica look like douchebags, the band did that very well on their own.
[P]rofoundly moving... may well be the new yardstick against which the next 20 years of rock movies will be measured...
Berlinger and Sinofsky, with their knack for penetrating the diabolical pretensions of weak and disaffected human beings, have brought Metallica to its knees.
No rock doc has burrowed so deeply into the bruised egos, arrested development and internal conflict that make up a superstar band.
A movie about narcissism that indulges that narcissism--vindicated by our decision to pay a few bucks for the honour.
A counterintuitive, riveting documentary so honest that it will either become a rock movie classic or a severe embarrassment for the heavy metal band.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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